I’m A Celebrity’s Jack Osbourne issues major family announcement

Jack and Aree are expecting their second child (Image: James Gourley/ITV/Shutterstock)

During Friday’s episode of I’m A Celebrity, Jack Osbourne was voted out of the jungle in a brutal double elimination alongside Emmerdale star Lisa Riley. Despite the disappointment from fans, the TV personality, who was also grieving the recent loss of his legendary father, Ozzy Osbourne, revealed he was ready to be reunited with his family. Just moments before his departure, viewers got a glimpse of how much his loved ones meant as his wife Aree and young daughter Maple made a surprise visit to the camp.

However, it has now been revealed that the reunion had a much deeper meaning for the 40-year-old as he and Aree are expecting their second child together. Jack confirmed the sweet news alongside his wife as they posed for photos with her growing bump in full view. The former reality star gushed: “It’s awesome, I think it’s been partly a healthy distraction, partly healing, probably in that kind of ‘full cycle’ category, in a weird way.”

Read more: I’m A Celeb fans in ‘hysterics’ over blunder as cyclone returns

Read more: Kelly Osbourne left in tears as she details first chat with Jack after ITV exit

Jack was surprised by his wife and daughter in camp (Image: ITV)

Speaking to The Sun on Sunday, he added: “It’s very much taken energy out of the grieving side of things and parked in a bit more hopefulness. It’s been easy for me, I think it’s been a lot harder for my wife.”

The soon-to-be dad of five revealed that the whole family is excited for the new arrival and confirmed that they had “sort of planned it” the new baby, but the news had come sooner than the pair expected.

“But it’s definitely something that we were wanting to pursue, and somehow it happened, miraculously,” Jack and Aree welcomed daughter Maple in 2022.

In his blended family, the star also shares three children with his ex-wife Lisa Stelly, whom he separated from in May 2018.

During their relationship, they had Pearl, 13, Andy Rose, 10, and Minnie, nine. The former couple sadly lost a baby boy named Theo when Lisa suffered a miscarriage during her second trimester in 2013.

Jack will welcome his fifth child next year (Image: Instagram)

After their divorce was finalised in March 2019, and Jack became engaged to fashion designer Aree in December 2021.

The 40-year-old previously opened up about navigating fatherhood in an interview, in which he spoke on co-parenting with his ex-wife and said that he and Lisa were “doing really well” with it. “It’s all you can really ask for at this stage. It’s great.”

As for his parenting style, Jack added: “I’m a little more structured with my kids than my parents were with me. I won’t take them out of school just to go travel. We do a little bit, but I think structure is healthy.”

He also told People that his daughters are “the most girly girls imaginable,” and that he’s constantly surrounded by all things unicorn and rainbow.

The bond between a man and his dog is often celebrated in tales of quiet loyalty, but few stories capture the sheer, life-altering power of that connection as vividly as the miraculous rescue that unfolded this week along the forgotten industrial coastline near the town of Port Hope. It is a story of survival, despair, and the unwavering instinct of a six-month-old Golden Retriever puppy named Scout, who, against all rational expectations, became the sole lifeline for his trapped human, defying a ticking clock and the seemingly insurmountable odds of a crushing, isolated prison.

The central figure in this extraordinary drama is Mark Jensen, a 42-year-old construction foreman and single father known for his quiet, reliable nature. Mark had adopted Scout just three months prior, and the two had become inseparable. Their daily routine included a morning walk near the decommissioned shipyard—an area marked by enormous, discarded industrial structures, locally dubbed the “Giant Shells.” These structures, remnants of a forgotten era of manufacturing—massive, rusted cylinders, broken concrete culverts, and twisted metal sheeting—form a treacherous, labyrinthine environment, beautiful in its decay but deadly in its instability.

It was during one such routine walk that tragedy struck. Details remain hazy, but it is believed that Mark was attempting to retrieve a ball that had rolled into a deep fissure between two enormous, leaning concrete sections. A shift in the debris—perhaps triggered by his movement or simply the slow decay of the structure—caused a sudden, catastrophic cascade. The sounds were muffled, the site was secluded, and within moments, Mark Jensen was gone, pinned and hidden beneath a ton of industrial waste, the world above him sealed off by a concrete lid and silence.

His last coherent act was to shove Scout, the puppy, out of the danger zone, a desperate reflex of paternal protection.

When Mark failed to return home, his family and co-workers initially assumed a simple delay. However, as evening bled into night, a chilling fear took hold. The only witness to the disaster was a small, confused, but deeply distressed Golden Retriever puppy. Scout had made his way back to Mark’s truck, but instead of waiting, he paced frantically, letting out a series of short, high-pitched barks that were less celebratory and more mournful. He would run a few yards back toward the industrial zone, then return to the truck, his eyes wide and pleading—a desperate, canine plea for help.

When authorities were finally alerted and a small search party was dispatched, the initial investigation yielded nothing. The vast area of the “Giant Shells” is notoriously difficult to navigate, its terrain confusing and dangerous, offering hundreds of places where a person could disappear without a trace. The official search, focusing on logical pathways and known clearings, was hours behind schedule, running on generalized fears rather than hard evidence.

But Scout, the puppy, was operating on something far more powerful than logic: a fierce, primal love for his pack leader.

As the search team methodically began their grid search—slowly and cautiously navigating the debris—Scout appeared. He was not merely following the team; he was actively trying to intercept and divert them. When search coordinator Captain David Chen approached the area, Scout fixated on him. The puppy abandoned his truck-side vigil and trotted directly up to Captain Chen, nipping gently at his trousers, then turning and jogging a short distance toward the heart of the most dangerous section of the shells.

“At first, you dismiss it,” Captain Chen later recounted in an emotional press briefing. “We’re trained to follow procedure, to look for human signs. A barking dog is usually a distraction. But this was different. He wasn’t just barking; he was focused, distressed, and determined to lead us somewhere.”

The team, operating on a blend of professional training and gut instinct, made a crucial decision: they would follow the puppy. It was a gamble that went against standard search protocols, but in the face of zero human evidence, they chose to trust the animal’s intuition.

What followed was a harrowing journey into the maze. Scout did not stray. He maintained a steady, purposeful pace, pausing only to ensure the human rescuers were still following. He weaved through narrow gaps, scrambled over rusted pipes, and navigated around unstable walls, leading the team deeper and deeper into the most obscured and perilously unstable section of the industrial graveyard—an area that had been marked by the official search team as “impassable.”

The air grew heavy with tension. Mark Jensen had been trapped for over fourteen hours. Temperatures were dropping, and the fear of internal injuries loomed large. Following Scout, the rescuers eventually arrived at a seemingly impossible location: a dead-end pocket shielded by a leaning concrete wall and two large, vertical, clam-shell-like metal sections that had fallen decades ago.

The puppy stopped. He didn’t bark wildly; instead, he stood rigidly over a barely noticeable, hand-sized gap between the concrete slab and the uneven ground, whining softly, nose pointed toward the crack.

Captain Chen, skeptical but hopeful, knelt down. He shone his flashlight into the dark, dusty void. He called out, “Mark? Mark Jensen, can you hear me?”

A faint, strained reply emerged from the earth, weak and almost swallowed by the ambient sounds of the wind whipping off the nearby coast. “I’m… here.”

The confirmation sent a surge of adrenaline through the rescue team. The impossible had happened. The puppy’s precision was astonishing; he had guided them directly to a victim hidden from view, in a location they had almost deliberately avoided.

The rescue operation immediately shifted from a search to an extraction. Mark was conscious but severely injured, trapped with limited mobility. The surrounding structure was too unstable to risk heavy machinery. Rescuers were forced to use manual, delicate methods—hydraulic spreaders, small cutting torches, and hand tools—to slowly and carefully pry open the layers of debris. Every movement was a risk, threatening to shift the surrounding “shells” and crush Mark completely.

For the next four hours, the atmosphere was a mix of intense focus and palpable fear. Medics were able to feed Mark oxygen and fluids through the small opening. Throughout the entire agonizing process, Scout remained by the small gap, his whining having subsided into a focused, low-growl of vigilance. He was the quiet observer, the guardian ensuring the operation continued.

The final breakthrough came just before dawn. With a coordinated heave, the team managed to lift the crucial piece of debris just enough for Mark to be safely pulled out. He was exhausted, severely dehydrated, and suffering from a broken leg and internal bruising, but alive.

The moment Mark was safely clear and placed on a stretcher, Scout broke his rigid posture. He rushed forward, licking Mark’s face and hands with unrestrained joy, a triumphant, wagging explosion of golden fur. Mark, despite his pain, managed a weak smile and rested his head against the puppy’s. It was a reunion witnessed by dozens of exhausted emergency personnel, many of whom admitted to shedding tears—a powerful, emotional culmination to a seemingly hopeless situation.

Mark Jensen is now recovering in a local hospital and is expected to make a full recovery. He insists that his survival is solely due to his young dog. “I could hear the team close by at one point, but I was so deep under the rubble, they couldn’t hear my calls,” Mark stated from his hospital bed. “Scout… he was my voice. He led them right to the tiny crack I was next to. He’s not just a dog; he’s my son, and he’s my hero.”

The story has since gone viral, sparking an outpouring of support and renewed discussion about the incredible intuition and unwavering loyalty of our canine companions. Scout, the 6-month-old puppy who trusted his instinct and braved a hostile labyrinth, has earned his place not just as a beloved pet, but as a genuine life-saver. His tale serves as a humbling reminder: sometimes, the greatest heroes in our lives are the ones we bring home with four paws and a tail.

Tears Flowing: Shawn Levy Details ‘Moist’ and Emotional Breakdown on Final Stranger Things Table Read While Hailing Ryan Gosling as ‘Dream’ Star Wars Collaborator

In the demanding world of Hollywood blockbusters and prestige television, few names carry the dual weight of nostalgic affection and franchise dominance quite like Shawn Levy. The veteran director and producer, the architect behind the cultural phenomenon Stranger Things and now a key creative force entering the hallowed halls of Lucasfilm for Star Wars: Starfighter, finds himself straddling two emotionally and professionally intense worlds. In an exclusive conversation, Levy offered a deeply moving glimpse into the tear-soaked finale of his Netflix hit, while simultaneously delivering effusive, almost worshipful praise for his new leading man, Ryan Gosling, on the sprawling set of his space epic.

The emotional whiplash of transitioning from saying goodbye to a beloved family to embracing a childhood fantasy is palpable in Levy’s recent comments. He is a man navigating the bittersweet ending of a story that defined a generation of actors and audiences, even as he dives headfirst into bringing a new, highly-anticipated saga to life.

The Unstoppable Wave of Tears at the Last Table Read

For millions of fans worldwide, Stranger Things is more than just a show; it’s a time capsule and a coming-of-age story shared with its core cast. This profound connection is what made the final table read for the show’s last episode not just a professional gathering, but an emotional gauntlet. Levy confirmed the reports of a massive, shared moment of grief that engulfed the room, painting a vivid picture of the sheer finality of the experience.

“It’s just been incredibly, I mean it’s been a privilege,” Levy reflected on the journey. He acknowledged the challenge of maintaining professional focus, saying, “You got to be in work mode most of the time,” but admitted that all composure dissolved at the sight of the final script’s words.

The episode in question, which Levy described simply but powerfully as a “banger of a script,” marked the last time the ensemble—who started as children and are now “full-on adults”—would gather for this pivotal rite of passage. The reality of the ending was overwhelming.

“Just knowing it was the last time we were going to do that, tears were flowing. Tears were flowing all over the place. It got definitely moist in that room,” Levy recounted. This was not a reserved, polite expression of sadness; it was a deluge. What made the moment particularly poignant was the chain reaction it set off, tracing the emotional explosion back to its origin. Levy confessed that the breakdown started with two of the show’s founding stars: Noah Schnapp (Will Byers) and Finn Wolfhard (Mike Wheeler).

“I don’t want to name names,” he initially demurred, “but I think once Noah and Finn broke hard, the whole room followed.”

This detail is more than just a celebrity anecdote; it’s a powerful testament to the genuine bonds forged over years of intense, shared experience. The sight of these young men, who grew up under the constant glare of a global spotlight, finally letting down their guard and weeping over the end of their fictional world, provided the emotional permission for the entire crew and remaining cast to let their own grief surface. The final table read was, by all accounts, an emotional reckoning that confirms the immense weight and heart that has been poured into every frame of the series. The cast’s public, raw demonstration of sorrow guarantees that the finale will not only be action-packed—as the “banger” script suggests—but also deeply moving for the dedicated audience who have watched them mature on screen.

Stepping from Nostalgia to a New Hope: Star Wars: Starfighter

With the heavy emotion of the Stranger Things farewell still lingering, Levy is simultaneously immersed in a world of space operas and laser swords: the production of Star Wars: Starfighter. He is, quite literally, flying back and forth between worlds. Having just flown in from the set, he offered a brief but exhilarating update on his first foray into the galaxy far, far away.

“I did flew in from uh my Star Wars set last night,” Levy explained, before reassuring fans, “That’s going really well. Really well.”

For a director whose career has been synonymous with capturing the magic of adolescence and wonder, entering the Star Wars universe is a full-circle moment. He confessed that the work is not just a professional assignment, but a deeply personal, bucket-list fulfillment. “My 10-year-old self comes to work with me every day,” he shared, “and he’s having a blast, man.” This sentiment speaks volumes about the reverence and excitement he brings to steering a new chapter in one of the most beloved and scrutinized franchises in cinematic history. The work is proceeding with the joyous abandon of a lifelong fan who has been granted the keys to the kingdom, suggesting a production driven by authentic passion.

The ‘Dream’ of Ryan Gosling: Talent That Exceeds the Hype

A Star Wars project, however, is only as strong as its central players, and Levy is working with one of Hollywood’s most magnetic and highly-regarded stars: Ryan Gosling. Gosling is set to headline the new film, and the director’s praise for his collaborator was arguably the most emphatic and detailed moment of the interview, going beyond the typical platitudes often reserved for leading men.

Levy acknowledged that he was already a massive fan of Gosling before production began, but the on-set experience has transformed that admiration into genuine awe. “I will say that as big of a fan as I was of Gosling going into this shoot,” he stated, “the talent on this guy in every area—comedic, dramatic, action—he just, he does it all so brilliantly.”

This is a powerful endorsement. In an era where stars are often pigeonholed into specific genres, Levy is confirming that Gosling possesses a rare and comprehensive versatility. High praise for a dramatic actor is expected, but for Levy to specifically highlight his excellence in action and comedy—the two most crucial components of a balanced Star Wars narrative—suggests a performance that will utilize the full spectrum of Gosling’s abilities, promising a richer, more textured hero for the franchise.

Levy concluded his tribute by calling Gosling “a dream of a collaborative partner on that one.” In a massive, high-pressure, multi-million-dollar production like a Star Wars film, having a lead who is both immensely talented and cooperative is priceless. Levy’s testimony suggests that the set of Starfighter is characterized by a harmonious working relationship, setting the stage for a creative triumph.

Levy’s Unique Legacy: Managing Pop Culture’s Biggest Moments

Shawn Levy’s unique position at this moment—guiding the end of Stranger Things while launching a new Star Wars chapter—cements his legacy as one of the most influential figures in modern pop culture storytelling. He is simultaneously managing the intense emotional burden of closure and the exhilarating pressure of a grand beginning.

The core message embedded in his reflections is one of profound, emotional investment. Whether it’s the genuine sorrow displayed by a cast that feels like family or the starry-eyed wonder of his “10-year-old self” stepping onto a Star Destroyer set, Levy’s projects are defined by a deeply human element. The finality of Stranger Things, marked by the tears of its young stars, reminds us of the power of serialized storytelling to shape lives, both on screen and off. Meanwhile, the exciting prospect of Star Wars: Starfighter, fueled by the “dream” talent of Ryan Gosling, promises a future where Levy continues to channel that authentic passion into universally appealing, escapist entertainment.

The coming year will mark both a heartbreaking farewell and a monumental welcome for Shawn Levy, an emotional tightrope walk that audiences around the globe are eagerly watching. His ability to navigate both the deeply personal ending of the Upside Down saga and the epic, expansive beginning of a new Star Wars story solidifies his reputation not just as a successful director, but as a keeper of our collective dreams.

“Rage Erupts Across the Nation: As Authorities Stay Silent, Furious Citizens Cross Into France to Sabotage Migrant Boats — and the Never-Before-Seen Video of Their Daring Actions Is Sending Shockwaves Through the Country Tonight.”

PEOPLE’S RAGE. Public Takes Law Into Own Hands, Crossing to France to Sabotage Migrant Boats. WATCH THE FULL, UNPRECEDENTED VIDEO HERE.

British vigilantes slash small migrant boats on French coastline

Britons have been filming themselves travelling to beaches in France and ‘destroying’ small  boats – gaining thousands of views in the process

Sanya Burgess is an award-winning journalist whose investigations have included revealing Deliveroo was not paying the living wage to all riders, despite the company’s pledge to do so. She has also tracked disinformation and far right hate speech in the UK during the Southport riots, conspiracy theories about the attempted shooting of Donald Trump and revealed that Elon Musk was paying some of Tommy Robinson’s legal fees. She has also worked on issues relating to Big Tech and underage gambling, as well as uncovering war crimes and human rights abuses in Iran, Myanmar and the UAE – including the ‘hostage’ tapes of the detained Dubai Princess Latifa.

British vigilantes who spearheaded efforts to fly England flags across the country have launched a new anti-migrant protest – attempting to block illegal Channel crossings.

Using the term “Operation Stop The Boats”, members of the group have been filming themselves slashing small boats before they are used by migrants to cross the English Channel from France.

Posts on social media show members calling for other British men to join them in France, including making a direct appeal to football hooligans, saying “we need to make a stand”.
French coastline tours
In one video message shared this week by a member of the Raise the Colours group – the grassroots movement that has seen flags fixed to lampposts, motorway bridges and roundabouts across England – two men are seen evoking military language and the spirit of the British fight against the Nazis in the Second World War.

Claiming to be recording from the northern French coast, one said: “Just like in the 1940s, we must take a stand, and it starts with the men of England and Britain.”

Making an appeal to “firms” – a phrase that refers to football hooligan groups – the other man added: “Our country is doing nothing. Weak government, weaker borders.

“They are doing nothing, so we need to make a stand, boys. Get the lads together, get your firms together, get the lads in the pub, get the lads down the bars, if you’re talking about it and you agree with what we are doing, give us a hand.”
The Government is under pressure to act after more than 36,000 people have crossed the English Channel in small boats (Photo: raisethecolours.org.uk/Instagram)
Marine equipment store
The Government is under pressure to tackle the issue of migration amid a record number of asylum applications, surging small  boat crossings and protests at hotels housing asylum seekers.

On Monday, Home Secretary Shabana Mahmood set out a package of reforms to asylum policies aimed at tackling illegal migration, telling MPs the current situation is “out of control and unfair”.

The latest videos shared by those linked to the Raise the Colours group have separately been referred to as “Operation Overlord”.

Earlier clips showed two men saying they were taking matters of illegal migration into their own hands and filming themselves stamping on and smashing a small boat’s engine.

In the clips, they refer to themselves as “patriots” and make a number of claims without evidence, such as that they are stopping “rapists and murderers” from “coming to a town near you”.
One video shared by the group (Photo: raisethecolours.org.uk/nstagram)
The flag-raising group, who have a combined 100,000 followers on X and Instagram, also posted a plea on X for donations last week, writing that they are: “STOPPING The  Boats, whether the migrants or government like it or not!”

Two videos from the group have recently been shared to the 1.7 million X followers of Tommy Robinson. The far-right figure and former leader of the English Defence League, whose real name is Stephen Yaxley-Lennon, has previously been accused of mobilising football hooligan firms in an attempt to launch anti-Muslim rallies across the country.

Separately, French media reports that the Dunkirk Public Prosecutor’s office has opened a preliminary investigation into “aggravated violence” against migrants by suspected British far-right figures.
French coastline tours
One of the details being examined by the French prosecutor is the claim that in September, four men waving British and UK flags verbally and physically attacked migrants on the French coast. It is alleged that they told the migrants they were not welcome in England and proceeded to steal some of their belongings.

The men are not the first anti-migrant figures to travel to France in a bid to take matters into their own hands.

In September, Ukip, Nigel Farage’s former political party, posted a video to their X account showing what appeared to be sleeping migrants in France being woken by people flashing strobe lights in their faces and shouting at them.

Nick Tenconi, Ukip’s current leader, also posted a video captioned: “In Calais hunting for illegal invaders trying to cross into Britain.”

The Home Office and French authorities were contacted for comment.

From Understudy to Unstoppable: Amber Davies and Nikita Kuzmin’s ‘Flawless’ Perfect 40 Charleston Shakes the Competition

There are moments in live entertainment that transcend the scorecards and the competition itself—moments so purely spectacular, so deeply charged with emotional effort, that they redefine what viewers thought was possible. On a night dedicated to the magic of the West End, Amber Davies and her professional partner Nikita Kuzmin didn’t just perform a dance; they delivered a seismic cultural event, executing a Charleston that earned the season’s first, and arguably most deserved, perfect score of 40. The performance wasn’t just good; it was a defiant, flawless masterpiece that cemented Davies’s transformation from a last-minute replacement into the competition’s most compelling, and dangerous, contender.

The electric routine, set to “Sit Down, You’re Rockin’ The Boat” from the musical Guys And Dolls, was an audacious blend of high-octane energy, complex precision, and sheer theatricality. The climax, featuring a series of gravity-defying lifts and a spin so rapid and controlled it left the audience physically recoiling in amazement, was the peak of the entire series. It was the kind of television moment social media was invented for—a breathtaking display that demanded instant, breathless discussion.

The Chaos and the Comeback

To truly appreciate the monumental achievement of the perfect 40, one must look back at the dramatic, almost chaotic circumstances that led to Amber Davies stepping onto the famous dance floor. Amber, a talented West End performer and former Love Island winner, was not originally intended to compete in this series of Strictly Come Dancing. She was drafted in at the eleventh hour, a mere 24 hours before the first live show, to replace fellow reality star Dani Dyer, who had fractured her ankle in a cruel twist of fate during training.

This sudden call-up meant Davies had minimal time to prepare, forcing her to hit the ground running alongside Nikita Kuzmin, a partner who has proven himself to be as much a mentor and emotional anchor as he is a choreographer. This unexpected start provided the essential emotional backdrop to their entire journey. For weeks, Davies has had to compensate for lost training time, battling self-doubt under the fierce glare of public and critical scrutiny. She herself admitted the start of her journey was “madness,” a story she’ll recount for decades to come.

However, this pressure cooker environment did not break the partnership; it forged it into something unbreakable. Nikita, seeing the raw potential and the sheer fighting spirit in his celebrity partner, became her fiercest advocate. In the run-up to a previous high-scoring performance, he took to social media, gushing about Amber’s dedication: “So so proud of you Amber, you’re giving it your all and improving everyday,” he wrote, praising her ability to listen, absorb information, and train hard, emphasizing that she was “fighting for our spot in the competition”. This mutual respect and unwavering belief became the emotional fuel for every subsequent performance.

The Salsa That Signaled Seriousness

Before the ultimate high of the Charleston, the partnership signaled their true intentions with a breathtaking Salsa, performed to Sylvester’s You Make Me Feel (Mighty Real). This performance was an emotional and technical breakthrough, bagging them a stunning 38 points and their first two 10s of the series.

The package shown before the dance provided a sweet, relatable glimpse into their unique dynamic, highlighting the human element often lost in the glitz of the ballroom. Amber, a proud Welsh star, admitted she struggled to find the necessary fluidity for the Latin routine, feeling too “straight.” To help her relax and connect, she taught Nikita some Welsh—a charming and vulnerable moment that humanized the star and professional in the eyes of the nation.

The actual dance was a revelation. Head Judge Shirley Ballas lauded the performance’s “fluidity, flexible, lovely rotation” and the ease with which Davies executed the complex tricks and highlights, noting the “great chemistry”. Motsi Mabuse declared it “absolutely spectacular”. It was clear that the “Team Amkita” had moved past being merely good; they were now serious contenders capable of blowing the roof off the ballroom.

The ‘Perfection’ of Musicals Week

Then came Musicals Week, and the Charleston that will go down in Strictly history. The pressure was immense. The competition was tightening, and Amber and Nikita knew they needed to deliver something extraordinary to maintain their standing. They chose a routine that demanded not just athleticism but impeccable timing and fearless abandon.

The Charleston is a deceptively difficult dance, requiring hyper-extended swivels, sharp lines, and explosive energy, all while maintaining perfect synchronicity. Amber Davies, leveraging her background in the West End with roles in productions like 9 To 5: The Musical, was perfectly placed to own the stage, but even for a seasoned performer, the choreography was staggering.

The performance was a relentless rush of energy. Davies fearlessly incorporated a full-on splits move, executed with such precision that it looked entirely effortless, followed immediately by one of the series’ most ambitious lift sequences. But it was the core mechanism of the dance—the swivels and the aforementioned incredible spin—that stole the show and the judges’ hearts.

The judging panel, known for their often harsh critiques and high standards, were unanimous in their awe. The usually flinty Craig Revel Horwood, a man rarely satisfied, was forced to swallow his cynicism and deliver perhaps the highest praise of the series. He declared: “The swivels were perfect and the timing and execution was flawless,” confirming that the speed, control, and rhythm of the essential Charleston footwork were beyond reproach.

Head Judge Shirley Ballas was equally effusive, calling the routine “absolutely fantastic” and labeling Davies an “absolute star”. Anton Du Beke, often the most generous with praise, admitted that it would be “very difficult to find a dance better than this”.

But it was Motsi Mabuse who articulated the feeling of the nation and the defining gravity of the performance. Shaken by the magnitude of the dance, she provided a one-word critique that resonated across the auditorium and social media: “Perfection.” She added that she had “never seen anything like that,” a monumental statement in a show with over two decades of legendary routines.

The inevitable paddle display followed, confirming the judges’ consensus: four 10s. A perfect 40.

The Emotional High

This perfect score was not just a tally; it was validation of the toughest journey in the competition. It was the emotional payoff for a partnership built on trust, hustle, and heart, confirming that the last-minute replacement had surpassed the expectations of everyone, perhaps even herself.

The moment was a powerful reminder that Strictly Come Dancing is as much about personal growth and emotional connection as it is about foxtrots and tangos. Amber and Nikita’s relationship, rooted in professional respect and deep encouragement, provided a beautiful counter-narrative to the standard celebrity competition arc. They proved that fighting for a spot, absorbing criticism, and channeling raw emotion into a difficult, technical routine can lead to moments of true, uncontestable perfection.

Their victory in Musicals Week didn’t just top the leaderboard; it shifted the balance of the competition. Amber Davies and Nikita Kuzmin are no longer the underdogs who had to scramble to catch up; they are the gold standard, the benchmark by which all future performances in the series will now be measured. That incredible spin was not just a technical flourish—it was the moment they spun the entire series on its head, setting themselves on a trajectory that now seems utterly unstoppable. The ballroom awaits their next move with bated breath, but for now, the roar of the perfect 40 echoes across the dance floor.

Taylor Swift Declares Engagement to ‘Love of My Life’ and Reclaiming Music Masters as Twin Victories of Her Unstoppable, Best Year Ever

In a year already marked by unprecedented cultural and economic dominance, global superstar Taylor Swift has offered her most intimate and profound reflections yet, confirming her golden era is not just about album sales or tour records—it’s about profound personal happiness and professional vindication. Appearing in a high-profile interview, the singer, radiating an aura of triumph and contentment, distilled her annus mirabilis into two non-negotiable milestones: securing her engagement to the “love of my life” and the monumental achievement of finally “getting all my music back.” These two events, she confessed, were things she genuinely believed could “never have happened,” underscoring the almost mythical quality of her current reality.

The sheer scale of the moment was set from the second Swift walked onto the stage, where she was met with a thunderous, nearly one-minute standing ovation from a throng of screaming, emotionally invested fans, affectionately known as Swifties. The scene was less an interview and more a coronation. Dressed in a striking $1,700 velvet, off-the-shoulder David Comman mini dress, complemented by an $80,000 diamond and ruby necklace that perfectly captured her superstar status, Swift was visibly moved by the outpouring of adoration. She also gave a clever sartorial nod to her own artistry, sporting an opal bracelet—a subtle reference to one of her well-loved songs, suggesting that even in her most public appearances, the poetry of her music is never far behind.

The centerpiece of the conversation, and the emotional anchor of her year, was the confirmation of her engagement to Kansas City Chiefs tight end, Travis Kelce. While the superstar often maintains a fiercely guarded wall around her personal life, her happiness regarding the engagement was palpable, breaking through her professional reserve. To call her fiancé the “love of my life” is not just a celebrity soundbite; it’s a profound declaration of commitment and happiness, elevating her current romantic status to the level of a fairytale realized. For a woman whose relationships have been fodder for public dissection since the beginning of her career, achieving this ultimate personal milestone, and sharing the sheer gratefulness for it, speaks volumes about the peace and confidence she has found. It represents the quiet, deep-seated joy that stands in remarkable contrast to the roaring spectacle of her professional world.

Yet, this unprecedented personal high is matched, perhaps even eclipsed in professional significance, by the monumental victory of reclaiming ownership of her master recordings. Swift has been locked in one of the most visible and emotionally charged professional battles in modern music history, dedicating years to systematically re-recording her foundational albums—a painstaking, defiant process aimed at regaining creative and financial control over her own legacy. The phrase “getting all my music back” resonates with years of tireless work and profound determination. It is a win not just for Taylor Swift, the artist, but for the concept of artist ownership and intellectual property in the digital age. This achievement transforms her from merely a successful pop star into a powerful business figure and a champion for creative rights. The juxtaposition of these two triumphs—the personal and the professional, the heart and the hustle—is what makes this particular period in her life so uniquely compelling. She is, as she said, “so grateful for both of those things happening.”

Beyond the immediate euphoria of engagement and ownership, Swift used the platform to address the thorny, often cruel, topic of cultural longevity and the seemingly endless appetite to tear down those who succeed for too long. In a moment of striking candor, she tackled the sentiment found in certain “corners of our society” that look upon enduring success with skepticism, a desire for the triumphant star to “just go away so we can talk about how good you were.”

Her response was pure, unadulterated defiance, delivered with a steely resolve that only a two-decade veteran of the industry could possess: “I don’t want to.”

This refusal to cede the stage is the core of her current cultural moment. It’s an implicit acknowledgment of the pressures faced by female artists to constantly reinvent themselves or step aside for the next generation. Swift’s determination to remain active, creative, and visible—to keep a “good thing going”—is a powerful statement on staying power. With thirteen number-one hits under her belt, her career is not fading; it’s accelerating, with her latest track only reinforcing her continued reign at the top. She is not resting on her laurels; she is actively challenging the industry’s unspoken rules about retirement and relevance.

The conversation naturally pivoted to her extraordinary musical output, giving fans a glimpse into her personal ranking and current creative obsessions. When placed on the “hot seat” and challenged to name her top five Taylor Swift songs—a question that induces maximum pressure for any artist—she quickly named “All Too Well (10-minute version)” as her undisputed number one. This choice is significant, prioritizing a deeply personal, critically acclaimed, and emotionally devastating epic that showcases her songwriting depth over any of her more universally known pop anthems. Furthermore, she expressed an intense current obsession with her entire new album, The Life of a Showgirl, noting that its immersive quality made it impossible to choose any other favorites at the moment.

As the interview concluded and she left the studio, bundled up against the night in an impeccably styled $2,500 Max Mara coat, Louis Vuitton knee-high boots, and a $1,900 plaid Mu skirt, the attention shifted momentarily to her next ambitious project: the six-part docuseries, The End of an Era, set to premiere soon on Disney Plus. The project promises to give an even deeper, unvarnished look into the demanding life of a touring superstar. Swift described the tour that is the subject of the documentary as “the biggest challenge any of us have ever done,” noting the profound commitment of her longtime band members, some of whom have been with her since she was sixteen years old. Her comment on their shared experience—“we just kind of look at each other and be like ‘This isn’t normal’”—serves as a grounding moment. It’s a candid admission that even for those closest to her, the scale of her fame and the intensity of her current life remains a source of mutual awe and perhaps, a shared bewilderment.

Taylor Swift today stands at a cultural zenith, simultaneously celebrating a future built on deep, stable love and a professional legacy cemented by total ownership. Her current narrative is one of a woman who has systematically overcome the obstacles—both public and private—that once defined her story. By conquering her past business struggles and achieving the personal happiness she once deemed impossible, she has entered an era of profound, defiant joy. This is not the end of an era, but the spectacular, fully owned, and deeply loved beginning of a new one.

Karen Carney’s Musicals Week Mayhem: The ‘Flash, Bang, Wollop’ Samba That Sparked Judge Outrage and Shocking ‘Set-Up’ Claims

The quarter-final of Strictly Come Dancing is not just another week; it is a brutal proving ground where the pressure of the semi-final looms, amplifying every misstep and celebrating every triumph. For former footballing legend Karen Carney and her professional partner Carlos Gu, Musicals Week proved to be the most dramatic and emotionally testing chapter of their campaign, delivering a performance so divisive, it was simultaneously lauded for its technical brilliance and criticised for its song choice, culminating in a shock bottom-of-the-leaderboard placement that sent ripples of controversy across the nation.

The performance, a high-octane Samba to “The Rhythm Of Life” from the musical Sweet Charity, was a display of sheer determination that saw Carney push herself to the edge of exhaustion. While the routine ultimately garnered a highly respectable 34 points, placing the couple at the bottom of a fiercely competitive board, it was the explosive energy that led the show to title the segment a “Flash, Bang, Wollop” moment—a moniker that perfectly encapsulated the spectacle, the drama, and the immediate controversy it ignited.

The Quarter-Final Gauntlet: High Stakes and Higher Energy

Musicals Week is an event defined by theatrical flair, dramatic costumes, and big, bold choreography, but this year’s quarter-final raised the stakes even further. The evening opened with a brand-new competitive element: a five-minute, high-energy dance relay. This challenge required each of the remaining couples to take to the floor for a mini-routine set to an iconic song from a stage production. It was here that Karen and Carlos delivered their first dose of musical magic, dancing their segment to “Flash Bang Wallop” from Half A Sixpence. This opener set a relentless, demanding pace for the evening, requiring precision and stamina before the main dances had even begun.

However, the spotlight truly intensified when the couple returned for their primary, high-stakes Latin dance—the notoriously demanding Samba. The Samba, with its complex bouncing action, intricate timing, and required hip-swivel rhythm, is known as the graveyard of many a celebrity dancer’s Strictly journey. It is a dance that demands not just technique but an inherent, infectious rhythm that can be incredibly difficult for a newcomer to master under quarter-final pressure.

The Emotional Price of the Rhythm of Life

Following their performance, the immediate emotion on Karen Carney’s face was one of absolute, undeniable exhaustion. It was a raw, human moment that instantly connected with viewers. Her admission backstage was candid and disarmingly honest. “I haven’t got the hips but I was trying to shake what mama gave me,” she confessed, laying bare the physical struggle of tackling a dance that is fundamentally built on an ability that does not come naturally.

What resonated most, however, was her philosophy of relentless effort. A champion in her former life, Carney explained that she approached the dance with the mindset that even if it wasn’t her “strongest” routine, she would leave nothing on the floor. “I gave everything. I went for it so I’m happy with that,” she declared, summarising a journey defined by her unwavering competitive spirit and grit. She acknowledged feeling “pretty gassed at the end” and admitted the Samba was “really challenging.” This powerful vulnerability enhanced the emotional impact of the performance, turning it from a mere dance routine into a visible battle of will against physics and rhythm.

The Judges’ Verdict: Technical Triumph, Total Score Turmoil

When the judging panel delivered their critique, the contrasting feedback provided a microcosm of the entire controversy. Head Judge Shirley Ballas, known for her expertise in Latin, offered immense praise for Karen’s fundamental technical ability. “Your sense of balance for me is absolutely off the chart,” Ballas stated, a compliment of the highest order that speaks to the strength and control Karen has developed throughout the series. Craig Revel Horwood, the panel’s notoriously harsh critic, even offered high praise, calling Carney’s spins “out of this world.”

Yet, the praise was immediately followed by concerns. Craig, despite his compliment, deemed the overall routine “too busy,” suggesting the complexity of the choreography may have overshadowed the essence of the Samba. And while the technical aspects were hailed, the total score of 34 points—composed of respectable eights and nines—was simply not enough in a quarter-final where near-perfection is often necessary to stay safe. This score placed them at the foot of the leaderboard, a precarious position that left them highly vulnerable to the public vote and the dreaded dance-off.

The Motsi Mayhem and the ‘Set-Up’ Backlash

The drama reached a fever pitch not just in the scores, but in an extraordinary moment of live television. As Judge Motsi Mabuse was delivering her critique, specifically praising a difficult turn in the performance, she was abruptly stopped by something in the audience. In a sensational, highly unusual move, Mabuse paused her professional judging to publicly scold fellow professional dancer Neil Jones, who was watching from the balcony. This spontaneous moment of high drama—a “Flash, Bang, Wollop” event in itself—underscored the raw, volatile atmosphere of the quarter-final.

Adding fuel to the fire were the fan reactions online, which immediately turned into a storm of social media speculation. While many viewers were in awe of the performance and praised Karen’s tireless efforts, a vocal contingent expressed concern that the celebrity was, in their words, “set up” to fail. The central complaint was the choice of music. “This is not a samba song,” one fan posted, claiming the music selection—no matter how upbeat and theatrical—didn’t allow Karen to fully embody the required Latin rhythm, hindering their score. Another echoed the sentiment, calling it a “Stupid song choice for a Samba,” which sparked fierce debate over whether a contestant’s musical assignment can unfairly jeopardise their chances at a crucial stage of the competition. For many loyal viewers, the combination of the challenging Samba, the bottom placement, and the controversial music choice felt like an unjust hurdle for a pairing that had delivered a perfect 40 score just one week prior.

The Long Road to the Semi-Final

Karen Carney and Carlos Gu have established themselves as one of the series’ most resilient and high-achieving couples, having consistently brought bold, creative, and intense choreography to the floor. Their journey has been defined by dramatic peaks, including their awe-inspiring Paso Doble at Blackpool and their stunning Couples’ Choice that earned them the top score.

The quarter-final Samba, however, was a stark reminder of the volatile nature of the Strictly competition. It was a dance that tested their mental fortitude as much as their physical ability, forcing Karen to confront a style that exposed her vulnerabilities. Yet, by embracing the challenge with honesty, determination, and her trademark fighting spirit, Karen Carney ultimately showcased the very essence of the Strictly experience: the journey of personal transformation. The “Flash, Bang, Wollop” performance will be remembered not just for the chaos of the score and the controversies it sparked, but for the moment the former footballer showed the entire nation the true heart of a champion, fighting through adversity to keep her Glitterball dream alive.

The Final Chapter Begins: Stranger Things Cast Reflects on a Decade of Magic, A Bittersweet Goodbye, and the Explosive Chemistry That Saved Season 5

The air crackles with a blend of nostalgia, excitement, and palpable finality. For over a decade, Stranger Things has been more than just a television show; it has been a cultural phenomenon, a flagship for a generation, and, for the actors who brought the world of Hawkins, Indiana, to life, it has been reality. Now, as the final season looms after a painfully long three-year hiatus, the cast is ready to confront the finality of their journey and, in a candid exclusive interview, drop tantalizing hints about what fans can expect from the series’ dramatic conclusion.

Joe Keery (Steve Harrington), Charlie Heaton (Jonathan Byers), Natalia Dyer (Nancy Wheeler), and Maya Hawke (Robin Buckley) joined the conversation, their demeanour a mix of pride and reflective sadness. They are all too aware of the time that has passed, noting that entire popular series have come and gone since the last installment. The consensus? The wait has been unbearable, but the payoff is “insane.”

The emotional toll of wrapping a project that has defined their lives is immense. “We’ve all given our 20s to these characters,” Charlie Heaton reflected with a quiet gravity. This isn’t just a job ending; it’s the closing of a monumental chapter. Heaton summed up the entire experience as a “once in a lifetime, lightning in a bottle thing,” a rare, perfect alignment of opportunity and cultural impact that no one expects to repeat.

Echoing this sentiment, Joe Keery admitted that the true end of the journey has yet to fully register. Having dedicated such a significant portion of his adult life to playing Steve Harrington, the line between performance and personal life has blurred. “It’s hard to really put into words because it’s just like so ingrained in our lives,” Keery explained. “It is my reality.” For the star, the final curtain will only fall when the promotional tour ends and there is no return flight scheduled to the set in Atlanta. Until then, he is simply “absorbing everything and enjoying spending more time together.”

A Year of Intense Emotion and Shared Sacrifice

The filming of the final season was a marathon, spanning a full year—a testament to the Duffer Brothers’ ambition for the closing episodes. With such an extended, high-stakes production schedule, the emotional atmosphere on set was bound to be complex. Maya Hawke confirmed that the weight of the moment hit the cast at different times throughout the demanding year.

“We filmed for a full year, so people just react different,” Hawke said, noting that while co-star Noah Schnapp was often the most openly emotional, every member of the core group had their own moments of reflection and sadness triggered by the reality of the final goodbye. The mixed emotions, the dedication, and the shared sacrifice of that time are what the actors believe will translate into the most intense, edge-of-your-seat season yet. Early viewers have already deemed the first three episodes “insane,” a promising sign that the long wait will be justified by a potent cocktail of action and deep character development.

The Chemistry Everyone’s Been Waiting For: Steve and Jonathan’s Shocking Reunion

Perhaps the most exciting and unexpected reveal from the interview—and the one that will undoubtedly send the Stranger Things fandom into a frenzy—is the stunning confirmation of renewed and explosive on-screen chemistry between Joe Keery and Charlie Heaton.

The dynamic between Steve Harrington and Jonathan Byers has been a fan favorite since the beginning, evolving from a high school rivalry over Nancy to a grudging, highly effective partnership. However, as the cast themselves pointed out, their characters haven’t truly been in each other’s orbit since the very first season. That changes dramatically in the final chapter.

The interviewer noted the fantastic “back and forth” between the two actors in the season’s opening episodes, prompting an enthusiastic response from Keery. The fan-favorite actor, whose character arc as the babysitter-turned-hero has captivated millions, could not rave enough about his time spent with Heaton. “We haven’t really worked together since season one, no, really,” Keery revealed. Heaton quickly agreed, emphasizing that it was “really nice to get back to it.”

The reunion was clearly a joy for both professionals and friends. Keery’s praise was genuine and heartfelt: “You know, working with some you’re going to spend a lot of time with them and I can think of no one else I’d like to spend a lot of time with. It was so fun. Yeah, we had a great, great time doing it.”

The experience was so enjoyable and successful that Heaton even quipped about a possible spin-off series focusing on their renewed partnership. “I feel like we could have done a whole spin-off,” he joked, imagining a show “just in the van” where the two characters navigate their adventures and their complicated feelings about Nancy. This rediscovered, decade-old chemistry promises to deliver some of the most memorable and comedic moments of the highly dramatic final season, giving fans a powerful dose of buddy-cop action before the series concludes.

The Unbearable Weight of Nancy’s Final Decision

The most significant emotional and romantic flashpoint heading into the final season remains the infamous love triangle involving Nancy, Steve, and Jonathan. Dubbed the ‘Nance-tagram’ by the devoted fanbase, the relationship status of Nancy Wheeler is arguably the most fiercely debated topic in the entire Stranger Things universe.

The interviewer wasted no time, asking the trio point-blank: “Will Nancy make her decision?” The answer, predictably, was a masterclass in deflection and secrecy. Charlie Heaton, while offering a sliver of hope, was vague: “Something happens with these characters… they’re gonna interact, they’re gonna talk.” Keery, ever the professional, would only commit to saying “absolutely nothing” before pivoting to praise the cast’s enduring working relationship.

Natalia Dyer, who has carried the weight of this complex choice for years, offered the most thoughtful response regarding the final outcome. While she couldn’t reveal Nancy’s decision, she did express profound personal satisfaction with the conclusion of her character’s journey. “I think we felt good,” she stated, speaking for the cast’s reaction to the scripts. She expressed her pride in the Duffer Brothers’ creation and everyone’s role in it.

However, Dyer injected a dose of reality into the Hollywood bubble, acknowledging the unpredictable nature of fan reception. “I feel very proud and satisfied. You never know what happens when you give it out to the world and how they’re going to feel,” she confessed. The creators, she implied, had to work authentically toward the best story resolution, rather than attempting to reverse-engineer an ending based on fan demands. The conclusion, whatever it may be, is one that the actress stands proudly behind, even if it might ignite a social media firestorm.

Robin’s Evolution and a Cinematic Farewell

Beyond the central love triangle, the cast offered exciting glimpses into other key character developments. Maya Hawke’s Robin Buckley, who has quickly become an essential character and a voice for the show’s LGBTQ+ themes, will see a significant evolution.

Hawke is particularly excited for Robin to move into a different dynamic with her friends. She noted that Robin, who has always felt a little on the periphery, is now able to offer support and help to others, referencing a shift in her relationship with Will and her new connection with Vicki. “I can say that it’s really fun to watch Robin get to be on the other side of dynamics that she has been a part of,” Hawke shared. She spoke highly of her co-star, Amy Beth McNulty (Vicki), praising her as an “extraordinary actor” and teasing one specific scene that she promises will be “so, so funny.”

Finally, the cast confirmed an unprecedented event for the finale: the last part of the season will be shown in cinemas. The decision by Netflix to offer a cinematic experience for the grand conclusion was hailed by the cast as “extraordinary” and something that should happen “more.” The actors, realizing the massive scale of the final episodes, believe the cinema setting is well-deserved, offering fans the most epic way to say goodbye to the Upside Down.

The excitement is so contagious that the cast members themselves are planning to become part of the audience. Joe Keery mused about finding the “biggest screen” and even considered going on the very first night it comes out, embracing the sheer communal energy of the midnight premiere he remembers from his childhood. Heaton and Dyer were equally keen on the idea of sneaking in, perhaps even in costume—as Dyer jokingly suggested for Nancy—to share the final, electrifying moments with the fans who have championed the show for the last ten years.

In the end, the final season of Stranger Things is poised to be an emotional spectacle, driven not only by the escalating threat of the Upside Down but by the deeply resonant connections between its core characters. The cast is unified, satisfied with their journey, and incredibly proud of the decade-long adventure they’ve shared. Now, all that’s left is to share it with the world, knowing that they have created something truly, irrevocably “lightning in a bottle.” The countdown to the final, bittersweet moment has officially begun.

Jack Osbourne’s Emotional Message About Family and Healing Sparks Massive Wave of Support Online

Kelly Brook has become the fourth star to leave the I’m A Celebrity… Get Me Out Of Here! jungle, bringing her face-to-face with hosts Ant and Dec

But now, amid the grief and heartbreak, a tender moment of hope has emerged — as Jack Osbourne learned that his wife, Aree Gearhart, is expecting their second child.

Ant and Dec greeted Kelly as she bid farewell to the camp, after receiving the fewest number of public votes

The emotional news reportedly reached Jack while he remains inside the I’m A Celebrity… Get Me Out Of Here! jungle in Australia. Overwhelmed with emotion, Jack was seen breaking down in tears as the reality of becoming a father again began to sink in.

Kelly’s departure followed Vogue Williams, Eddie Kadi and Alex Scott ‘s exits ahead of Sunday’s finale

Choking back sobs, he quietly told those around him:
“I just want to go home to my wife right now.”

After her departure, Kelly broke down in tears as she was reunited with her husband Jeremy Parisi on the famous jungle bridge

After months of mourning his father’s passing, those close to Jack believe the unborn baby already feels like a little angel sent to heal the family’s deepest pain following Ozzy’s death from a heart attack in July at the age of 79.

The model was visibly emotional as she reunited with her spouse for the first time since she left the show

Aree, 34 — who married Jack in a secret ceremony in 2023 after meeting him on a dating app in 2019 — was recently spotted in Queensland, Australia, supporting her husband as he continues his jungle journey. Observers noticed what appeared to be a visible baby bump beneath her Aztec-patterned jumpsuit, sparking widespread speculation among fellow contestants’ families.

The exit came following an episode which saw the camp’s washing up row rumble on, with Kelly unable to resist delivering a brutal swipe

Jack and Aree already share a three-year-old daughter, Maple Artemis, and friends say the thought of another grandchild would bring enormous comfort to Sharon Osbourne, who has remained in the UK since Ozzy’s passing.

“She is completely heartbroken,” a source close to Sharon revealed. “Any news like this would finally bring a much-needed smile back to her face.”

On the show, Jack has spoken openly about the shock of losing his father so suddenly. In one emotional Jungle conversation, he admitted:
“We knew he was sick… but we didn’t know it would be that quick.”

Since receiving the pregnancy news, Jack has reportedly found fresh strength inside the camp. In a powerful emotional moment, he is said to have vowed that he will fight for victory as a gift for his wife and children, determined to turn pain into purpose.

“He wants to win this for them,” a source shared. “For Aree. For the baby. For his family.”

Jack is also father to Pearl, 13, Andy, 10, and Minnie, 7, from his previous marriage to Lisa Stelly, which ended in 2018. Fellow campmates have described him as the emotional rock of the jungle, offering support to others even while carrying his own grief.

While Aree remains in Australia with other contestants’ families, Sharon Osbourne has not travelled overseas, choosing instead to remain beside Ozzy’s resting place at the family’s Buckinghamshire home.

Those closest to the family now believe this unborn child represents not just new life — but a fragile light after unimaginable loss.

Next Week in the Village

Monday 8 December at 4:12pm

Coming up in the Village: Celia intervenes in Ray’s relationship, Moria discovers Celia is doing dirty business, and Ruby starts a wine enterprise.

Celia creates a wedge between Ray and Laurel

Celia unnerves Ray by joining dinner with him and Laurel.

After observing Ray’s behaviour, Celia warns off Laurel describing Ray as ‘manipulative, and emotionally distant.

Moria’s shocking discovery of Celia

Moria discovers Celia has been committing forgery.

During confrontation, Moria slaps Celia, warning her to stay away from her business.

Ruby starts a wine enterprise

Ruby causes tension with Charity and Jai when she starts a wine enterprise.