Author: bangb

  • CONFIRMED: Patrick Kielty goes public with new romance post-divorce from Cat Deeley – and the woman by his side is none other than ITV’s Lucy Verasamy DD

    CONFIRMED: Patrick Kielty goes public with new romance post-divorce from Cat Deeley – and the woman by his side is none other than ITV’s Lucy Verasamy DD

    CONFIRMED: Patrick Kielty goes public with new romance post-divorce from Cat Deeley – and the woman by his side is none other than ITV’s Lucy Verasamy

    OFFICIAL! Patrick Kielty Goes Public with New Lover After Divorcing Cat Deeley

    Patrick Kielty Opens Up About His New Relationship After Divorce


    Patrick Kielty, the well-known comedian and television presenter, has recently gone public with his new lover, marking a significant moment after his divorce from Cat Deeley. The couple, who were once considered one of the most beloved pairs in the entertainment industry, parted ways amicably, and now Patrick is embracing a fresh start in his personal life.

    The announcement has sparked considerable interest among fans and media alike, eager to learn more about the new chapter in Patrick’s life. Known for his wit and charm on screen, Patrick’s openness about his relationship signals a positive and hopeful future.

    The Journey from Divorce to New Love


    Patrick Kielty and Cat Deeley’s divorce was a topic of much speculation, but both parties maintained a respectful silence, focusing on their individual growth and well-being. Now, Patrick’s decision to go public with his new partner shows a readiness to move forward and share his happiness with the world.

    This transition highlights the natural progression of life after a significant relationship ends. Patrick’s story resonates with many who have experienced similar journeys, emphasizing the importance of healing and embracing new opportunities for love.

    His new relationship is not just a personal milestone but also a testament to resilience and optimism. Fans are supportive, appreciating his honesty and the courage it takes to start anew in the public eye.

    What This Means for Patrick Kielty’s Future


    Going public with a new lover after a high-profile divorce can be daunting, but Patrick Kielty appears confident and content. This new relationship could bring fresh inspiration and joy, potentially influencing his work and public appearances positively.

    As a prominent figure in entertainment, Patrick’s personal life often intertwines with his professional image. By sharing this new chapter, he connects more deeply with his audience, who value authenticity and transparency.

    Looking ahead, Patrick’s openness about his love life may encourage others to embrace change and seek happiness without fear of judgment. It also sets a precedent for public figures to handle personal transitions with grace and dignity.

    Conclusion


    Patrick Kielty’s decision to go public with his new lover after divorcing Cat Deeley marks a hopeful new beginning filled with promise and happiness. His journey from separation to embracing new love serves as an inspiring example of resilience and positivity. For fans and followers, this is a reminder that life’s changes can lead to beautiful new chapters. Stay tuned for more updates on Patrick Kielty’s exciting journey, and don’t hesitate to share your thoughts on his inspiring story!














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  • “I See Paul O’Grady in Him”: Campmates’ Words About Tom Read Wilson Leave Viewers Deeply Moved DD

    “I See Paul O’Grady in Him”: Campmates’ Words About Tom Read Wilson Leave Viewers Deeply Moved DD

    “I See Paul O’Grady in Him”: Campmates’ Words About Tom Read Wilson Leave Viewers Deeply Moved

    Paul O’Grady (1955-2023) (Image: Getty Images)

    There is a moment that happens sometimes on television — rare, quiet, almost unplanned — when the audience suddenly stops watching a contestant… and starts seeing a person. That moment has arrived for Tom Read Wilson.

    At first, many viewers thought they understood him. The velvet voice. The theatrical charm. The eccentric elegance. The man who spoke as if poetry lived naturally on his tongue. Some smiled. Some were amused. A few were doubtful. But week by week, as the jungle peeled away comfort, polish and performance, something else began to shine through him — something deeper, softer, and unexpectedly familiar.

    And now a question is spreading quietly among viewers:

    “When you look at Tom Read Wilson… who do you see?”

    For a growing number of people, the answer is the same.

    Paul O’Grady.

    Not in career. Not in fame. But in spirit.

    One of Tom’s fellow campmates recently described him not as “posh,” not as “eccentric,” but simply as “one of the kindest souls I’ve ever met in my life.” That was the moment many fans say the comparison truly clicked. Because kindness like that cannot be rehearsed. It can’t be edited into a storyline. It reveals itself only under pressure — in hunger, in exhaustion, in fear.

    And the jungle is ruthless in that way. It strips people bare.

    What it has revealed in Tom is not performance, but gentleness.

    Campmates have spoken quietly about the way he treats animals during trials, how he lowers his voice instead of raising it, how he notices when someone is struggling before they ever ask for help. One of them joked that Tom apologises to snakes and spiders before touching them. Another said, only half laughing, “He doesn’t just survive the jungle — he blesses it.”

    It sounds dramatic. But viewers understand exactly what they mean.

    Because what people are responding to is not just his humour. It is the light behind it. That familiar warmth in the eyes. That gentle way of being that never asks to be admired but somehow always is.

    Paul O’Grady had that same quiet magic.

    He could command a room without ever dominating it. He could make people laugh without ever belittling anyone. He could be mischievous and tender at the same time — a rare combination that made people feel safe simply by watching him. And now, many say they feel that same safety when Tom appears on screen.

    One viewer wrote, “He doesn’t entertain you. He comforts you.”

    Another said, “He reminds me that not everyone on TV is trying to be loud, cruel or shocking. Some people are just… good.”

    In the jungle, where bodies grow weaker and tempers thinner, that kind of goodness becomes even more visible. Tom doesn’t compete for attention. He doesn’t push himself to the front. He fills space without demanding it. He listens without interrupting. And when others falter, he steps in gently, never as a hero — just as a human being.

    That is where the Paul O’Grady comparison becomes more than sentiment. It becomes a recognition of a rare type of soul.

    Both men carry something that feels almost old-fashioned now: a holy gentleness. A kindness that is not loud. A compassion that doesn’t need praise. A brightness in the eyes that suggests life has not hardened them, even when it could have.

    A fellow camper was overheard saying, “He reminds me of someone you trust instantly, even when you’ve just met him.” Fans repeated the line online. And soon after, someone added, “That’s exactly what Paul did too.”

    The comparison spread not because it was forced, but because it felt true.

    Paul O’Grady made people feel less alone in the world. And now, in a strange and quiet way, Tom Read Wilson seems to be doing the same.

    In a television landscape full of confrontation, spectacle, and noise, he has become something rarer: a presence that softens rather than sharpens, that warms rather than wounds.

    One fan wrote something that captured it all perfectly:

    “When I look at Tom, I don’t just see a TV personality. I see the best parts of a human being — kind eyes, a gentle smile, and a heart that never needs to prove itself. I see Paul O’Grady’s spirit living on in another soul.”

    And perhaps that is why, without strategy, without shouting, without scandal, Tom is quietly becoming one of the most loved figures this season.

    Not because he tried to be extraordinary.

    But because he dared to remain gentle in a world that so rarely rewards it.

  • From Construction Sites to the Ballroom: How George Clarke and Alexis Warr Achieved Pure Dancing Nirvana

    From Construction Sites to the Ballroom: How George Clarke and Alexis Warr Achieved Pure Dancing Nirvana

    The Architects of Emotion: How George Clarke and Alexis Warr Built Their Moment of Ballroom Perfection

    The world of competitive dance, particularly under the glittering, high-pressure lights of Strictly Come Dancing, is rarely subtle. It’s a place where vulnerability is laid bare, effort is measured in sweat and tears, and triumph is earned not just through technical precision, but through sheer emotional commitment. For celebrity George Clarke and his professional partner Alexis Warr, their journey through the series had been a fascinating study in perseverance—a steady, deliberate climb punctuated by moments of genuine heart. Yet, it was their routine in the later stages of the competition, described by the show itself as a moment where the pair were “right at home,” that solidified their unexpected status as emotional giants of the dance floor. This performance was more than just a dance; it was a perfect architectural blueprint of connection, confidence, and pure, unadulterated joy.

    George Clarke, renowned for his work in architecture and design, began his Strictly tenure as many celebrities do: endearing but awkward. He was a man accustomed to precision with blueprints and building materials, not the flowing, expressive lines of the Cha-Cha-Cha or the rapid, intricate footwork of the Quickstep. The early weeks were characterized by honest effort, marked by the typical stumbles and the earnest, often harsh, constructive criticism of the judging panel. His movements, initially, lacked the inherent fluidity required of a ballroom dancer. He was building steps, not dancing them.

    Enter Alexis Warr, a professional whose youthful energy and sharp choreography became the guiding force for George. Their partnership quickly became one of the series’ most compelling narratives. Alexis didn’t just teach George steps; she translated the language of dance into a framework he could understand—a structural integrity of movement, timing, and emotion. The story of George and Alexis is a powerful reminder that the best partnerships are often a fusion of contrasting strengths: George’s grounded, thoughtful approach to learning, and Alexis’s fearless, dynamic artistry.

    The specific routine that earned the rapturous praise—where they were deemed to be “right at home”—was a culmination of this tireless work. While the specific dance style varies throughout the series, this performance was characterized by an astonishing blend of technical mastery and emotional release. For George, who had battled self-doubt and the physical limitations of transitioning from a professional life to a dance intensive one, this routine represented a breakthrough, a moment where the mechanics of the dance finally submitted to the spirit of the music.

    What viewers, judges, and the media observed was not merely the execution of steps, but an almost startling transformation in George’s demeanor. His posture, once hesitant, was now commanding. His frame, previously rigid, had acquired a sophisticated, almost effortless elasticity. The tension that had often played across his features in previous routines—the visible concentration required to recall complex sequences—had been replaced by a genuine, relaxed smile. This wasn’t a celebrity trying to remember a dance; it was a dancer living a performance.

    The choreography crafted by Alexis for this piece was brilliant, tailored specifically to allow George to utilize his height and masculine presence, while also showcasing his newfound agility. It was a routine packed with intricate details—challenging lifts, rapid transitions, and complex footwork patterns that demanded complete trust and synchronization. The “right at home” commentary was a direct acknowledgment of this synchronicity. It suggested that, for the first time, George wasn’t thinking about the next step; he was simply being the dance. The years of rigorous training, the sacrifices of time, and the emotional investment had paid off, resulting in a partnership that moved as one, breathing in perfect rhythm.

    The emotional hook for the audience was potent. People watching reality competition shows are craving a story of redemption and earned success. George Clarke’s journey resonated deeply because it mirrored the universal experience of struggling to master a new, difficult skill. When he finally hit that moment of grace, where the hard work disappeared beneath the artistry, the release of emotion was palpable. The audience leaped to their feet, their applause a deafening wave of shared relief and admiration.

    The judges’ reactions were equally telling. Where previously there had been notes on foot placement and head position, now there was only awe. The most critical judges struggled to find fault, often resorting to emotional declarations rather than technical critiques. Scores flashed across the screen that marked not just a high point for George, but a standard of excellence for the entire series. It was the perfect score that every contestant dreams of, earned not just by hitting the steps, but by connecting with the soul of the music and delivering a compelling narrative. This perfect moment propelled George and Alexis from strong contenders to genuine favourites for the title.

    Beyond the scores, the social media reaction was explosive. The clip of the routine went instantly viral. On platforms like X and Facebook, fans dissected every subtle movement, every glance between the partners, and every triumphant flourish. Comments poured in, hailing the performance as a “masterclass in ballroom” and citing George as an inspiration for anyone facing a daunting challenge. The hashtag associated with the couple trended globally, sparking lively discussions that lasted for days, cementing the performance as one of the most memorable in the show’s history.

    This success is a powerful testament to the influence of a great professional partner. Alexis Warr did more than choreograph; she mentored, motivated, and believed in George’s potential when he perhaps could not see it himself. She pushed him past his comfort zone, transforming the meticulous architect into a passionate performer. Their success is a shared one, built on mutual respect and relentless dedication to the craft.

    In the highly saturated world of current affairs and entertainment, a story like George and Alexis’s serves a crucial purpose: it reminds us of the power of human endeavour. It’s a high-definition metaphor for life, showing that with dedication, the seemingly impossible becomes achievable, and the most unlikely person can find their grace under pressure. This performance—the one where they were “right at home”—didn’t just impress the judges; it moved the nation, transforming two individuals into a singular, breathtaking symbol of ballroom excellence. Their legacy in the glitterball challenge is now defined by that single, beautiful routine where everything finally, gloriously, clicked into place. They were, without a doubt, the architects of their own shining moment.

  • The Unseen Terror: Taylor Swift Breaks Down Over Security Plots and the Hidden Cost of The Eras Tour’s Global Triumph

    The Unseen Terror: Taylor Swift Breaks Down Over Security Plots and the Hidden Cost of The Eras Tour’s Global Triumph

    The Eras Tour. The name itself is synonymous with global conquest, cultural phenomenon, and an unprecedented triumph in live entertainment. Over 22 months, across more than 50 cities, and spanning an astonishing 149 shows, Taylor Swift’s traveling spectacle didn’t just break records—it obliterated them, raking in a mind-boggling $2.2 billion. It was a dazzling, euphoric experience that, as Swift herself noted, created an unparalleled “bonding experience for like 70,000 people all at once.” To the world, it was an endless stream of glittering highs, special guests, and record-setting euphoria.

    Now, almost exactly a year after the tour’s conclusion, Swift is offering fans a starkly human, often painful look behind the curtain with her six-part Disney Plus extravaganza. While the documentary serves as a loving celebration, it is also a stunningly raw confessional, pulling back the velvet drape on the emotional and physical toll of maintaining the world’s biggest show under the constant, chilling shadow of serious threat. What the world saw as a victory lap, Swift experienced as a relentless, out-of-control, out-of-body tightrope walk, fueled by an almost unimaginable amount of pressure and fear.

    In a candid moment of emotional surrender, Swift opens up about the immense psychological weight, revealing a startling vulnerability that fans have rarely witnessed. The sheer scale of the operation—a “biggest challenge any of us have ever done,” as she described it—came with a catastrophic risk profile. But it was her confession about navigating a genuine security nightmare that has left audiences stunned.

    “We dodged like a massacre,” she admitted, recounting the constant, unseen security efforts to keep her and her massive audience safe. Her voice, usually so steady, conveyed a tremor of deep anxiety as she referenced a “horrible attack in Liverpool,” which, based on the context of the documentary and public knowledge, has been linked to the terrifying reality of terror plots and attacks, including those tragically involving “little kids” at a nearby location like a dance class.

    This wasn’t abstract celebrity paranoia; it was a palpable fear rooted in real-world danger that threatened to destabilize the entire operation. To hear one of the most protected and successful artists on the planet confess to feeling like she was “skating on thin ice or something” is a profoundly sobering moment. It reframes every single show of the Eras Tour—each perfect performance, each joyful wave—as a victory not just over technical and physical demands, but over fear itself. Every night, beneath the spectacle of neon lights and custom-made costumes, Swift was carrying the emotional burden of 70,000 people’s safety, knowing that her profile made her a colossal target.

    The public perception of the Eras Tour has always focused on its cultural majesty. It was a masterclass in stage presence, a marathon of costume changes, and a demonstration of phenomenal endurance. But the Disney Plus series insists that the true story lies in the contrast: the breathtaking highs set against the bone-deep terror of the lows.

    Swift made it clear that the triumph wasn’t hers alone. The documentary gave her an opportunity to shine the spotlight on the army of professionals who made the impossible possible. She dedicated segments to thanking “all the singers, dancers, the band members, everybody behind the scenes that helped her make the Eras Tour such a success.” From the choreographers to the sound engineers, from the rain-soaked arena crews to the logistics teams, the show was a collective miracle. It’s a moment of profound gratitude, reminding viewers that a production of this magnitude is built on human dedication, not just star power.

    Of course, no discussion of the Eras Tour’s highs would be complete without acknowledging the guest appearances—especially those who brought an unexpected dose of romance and celebrity cheer. Swift is famed for inviting special guests, a practice she notes she “really enjoy[s].” She even revealed her casual but effective method for securing these appearances, often reaching out via a simple phone call.

    But nothing prepared fans for the surprise appearance that melted the internet: Travis Kelce, her now-famous beau, joining her on stage for the first time. His cameo, sealed with a highly publicized kiss, provided a necessary emotional reprieve, a dose of genuine, relatable happiness amidst the chaos. The sight of the NFL star, decked out in a tux and top hat, was a moment of pure, viral gold, now captured forever in the documentary.

    Adding to the warmth, Swift’s mother, Andrea, a steady presence who has often been her red carpet “plus one” dating back to 2006, offered a rare public insight into their relationship. Speaking to the happiness Kelce brought into her daughter’s life, Andrea’s simple affirmation that “he brings a lot of happiness” resonated deeply, normalizing the celebrity power couple and emphasizing the importance of finding support and joy when operating under extraordinary stress. Swift herself jokingly acknowledged the parallel between her life and Kelce’s, noting, “We basically the same job. You got teammates, I got teammates. You’ve got Coach Reid, I’ve got my mom.” It’s a subtle but powerful way of grounding herself in a world that is anything but normal.

    The documentary is being framed as a holiday gift to the Swifties, a chance to “relive” the incredible moments from rain-soaked arenas to celebratory concerts. Yet, its lasting impact will not just be in celebrating the success, but in exposing the fragility and the grit required to achieve it. It is a powerful reminder that behind the seamless magic of a $2.2 billion global phenomenon lies a human being who was constantly battling fear, pressure, and the cold reality of security threats that few of us can ever truly comprehend.

    The true legacy of The Eras Tour, as revealed in this new six-part look, isn’t just that they “have done something that no one has ever done,” but that they did it while “skating on thin ice,” managing to create a profound communal joy in the face of genuine, life-threatening peril. It changes the entire context of the tour, transforming it from a simple concert series into an epic narrative of human resilience and the constant, unseen cost of global fame. It is a story that is emotionally engaging, deeply persuasive, and guaranteed to spark the lively discussions Swift’s work often inspires. The emotional complexity and the hidden reality of the tour’s shadow now make the dazzling spectacle all the more powerful.

  • Heartbreaking: Jamie Oliver has finally revealed his wife Jools is battling a hidden condition that makes everyday life ‘really challenging’ – and the truth behind their 25-year marriage will surprise you DS

    Heartbreaking: Jamie Oliver has finally revealed his wife Jools is battling a hidden condition that makes everyday life ‘really challenging’ – and the truth behind their 25-year marriage will surprise you DS

    Heartbreaking: Jamie Oliver has finally revealed his wife Jools is battling a hidden condition that makes everyday life ‘really challenging’ – and the truth behind their 25-year marriage will surprise you

    Jamie Oliver has candidly spoken about the health challenges his wife Jools continues to face, describing how her neurodiversity shapes their family life in both beautiful and difficult ways.

    Appearing on Davina McCall’s Begin Again podcast, the 50-year-old celebrity chef revealed that Jools has chosen to stay out of the spotlight but remains the family’s “rock.” He said: “She’s got incredible instinct, she’s incredibly kind, very funny. I love her to bits. I can’t really talk for her, but she has neurodiversities that make her life really interesting and really challenging.”

    The couple, who married in 2000 and share five children, have been together since their teenage years. Jamie recalled first meeting Jools at 18, describing her as “beautiful, pure, natural, quirky and clumsy” with a unique sense of style. He laughed about how builders would call out “fashion, fashion!” when they saw her, baffled by her bold outfits.

    Despite the struggles, Jamie stressed his gratitude. “Of course there’s positives, but there’s loads of things that, you know – she makes us the way that we are. And I’m very grateful for Jools… and an amazing mum.”

    Earlier this year, Jamie also shared that some of their children are neurodiverse, explaining how he and Jools reflect each night on their kids’ behaviour. “We’ve learnt to understand that their behaviour is because they’re seeing things differently,” he said, adding that this awareness has made them “better parents.”

    The Olivers, parents to Poppy (23), Daisy (22), Petal (16), Buddy (14), and River (8), continue to navigate their family life with honesty and humour, balancing challenges with deep appreciation for each other.

  • HEARTBREAKING: Harry Redknapp ‘Left Broken’ as Fresh Family Tragedy Strikes Just Days After Wife Sandra’s Hospital Emergency – Friends Say He’s ‘Barely Holding On’ DTD

    HEARTBREAKING: Harry Redknapp ‘Left Broken’ as Fresh Family Tragedy Strikes Just Days After Wife Sandra’s Hospital Emergency – Friends Say He’s ‘Barely Holding On’ DTD

    HEARTBREAKING: Harry Redknapp ‘Left Broken’ as Fresh Family Tragedy Strikes Just Days After Wife Sandra’s Hospital Emergency – Friends Say He’s ‘Barely Holding On’

    Harry Redknapp’s £5m mansion raided by masked robbers just days after wife Sandra’s hospitalisation

    ‘It was clearly organised,’ a source claimed

    Masked raiders armed with hammers forced their way into the mansion of Harry Redknapp and looted wife Sandra’s jewellery, it has been reported.

    Former I’m A Celebrity… star Harry’s front door was smashed during the break in at his home in Dorset’s exclusive Sandbanks area.

    News of the “clearly organised” robbery comes just days after Sandra Redknapp, 78, was reported to have been hospitalised.


    Harry Redknapp and Sandra Redknapp, both 78, have been married for 57 years (Credit: YouTube)

    Harry Redknapp house ‘raided’

    A source is reported to have told The Sun that the gang may have used a property website ad to check out the layout of the Redknapps’ £5 million Dorset home.

    The tabloid understands ex Premier League manager Harry and Sandra were both out when the robbers struck. But jewellery and other luxury items are said to have been snatched during the raid last Friday night.

    The raiders must have known the house was empty.

    The unnamed insider said: “It was clearly organised. The raiders must have known the house was empty.”

    ‘Raid was clearly organised’

    According to The Sun, the Redknapps’ property is for sale. It is speculated the gang may have been tipped off about details about the beach resort home through an online listing.

    A source claimed: “The criminals would only have to keep watch on the property and break in once the coast was clear, knowing the full layout of the house in advance.”

    Gang members were caught on CCTV pillaging the detached gated property, using lump hammers and a sledgehammer to smash the front door open.

    The source added: “It was clearly organised and they must have known the house was empty at the time.”

    The Sun also claims Harry had attended a function that evening, and Sandra was said to be in London. The tabloid previously reported a week ago that Sandra had been taken into hospital – but it was not reported for what reason.


    Neither Harry nor Sandra Redknapp were believed to have been home when the gang struck (Credit: YouTube)

    Harry ‘doesn’t want to make a fuss’

    Officers have confirmed the search is still on for the thieves.

    Dorset Police said: “We received a report of a burglary at an address in Poole. Officers attended and carried out enquiries at the property. An investigation is underway into the incident. No arrests have been made at this time.”

    Meanwhile, a spokesman for Harry reportedly told The Sun he “doesn’t want to make a fuss”.

    They are quoted as saying: “There was no one in the house at the time and we don’t want to comment on what was taken. It’s a matter for the police.”

  • Starving Puppy Refused to Eat — Until Her Rescuer Sang One Song DD

    Starving Puppy Refused to Eat — Until Her Rescuer Sang One Song DD

    Can a song save a dying German Shepherd puppy on a forgotten road in West Virginia? By the time I found this three-month-old white puppy, she was skin and bone beside a full bowl of food, refusing to eat and quietly giving up. It was early afternoon outside Beckley, West Virginia, the kind of flat daylight that makes everything look worn out.

    I was driving the shelter van back from a supply run when a flash of white by the ditch caught my eye. I hit the brakes, backed up, and there she was, a tiny white German Shepherd puppy, ribs sharp as wire, folded into herself beside a cheap metal bowl heaped with dry food. The smell of it hit me when I opened the door, but she didn’t move toward it.

    Most starving dogs will crawl for one more mouthful. This one just lay there like the choice had already been made. I called to her, kept my voice low, the way you do with broken things. Nothing. No growl, no flinch, no tail, just a slow, fragile blink like it cost her too much to keep her eyes open. I crouched a few feet away and nudged the bowl closer with my boot, the kibble rattling against metal in the quiet.

    She still didn’t look at it. Up close, I could see every bone, every hollow between them, her fur dull and dirty where white should have glowed. When I finally slid my hands under her, she barely reacted. just let herself be lifted, light as an empty jacket. Back then, I didn’t understand what was wrong with her.

    I just knew that if she didn’t eat today, tomorrow might never come. Have you ever seen eyes that don’t ask for help anymore? That’s what stared back at me from the crate in the rearview mirror as I drove toward the shelter. She lay curled on a thin blanket, that same metal bowl wedged beside her, full of food I’d poured fresh.

    I tried sliding it closer every few miles, talking to her like she could answer. Nothing. No shift of her head, no sniff, not even a glance. At a red light, I cracked the window and held a small cup of water near her nose. Her tongue never moved. She just breathed shallow and slow like each breath was a job she hadn’t signed up for.

    Under the shelter lights, everything looked harsher. They lifted her gently onto the exam table, hands moving over that tiny German Shepherd puppy, checking bones, joints, belly, no fractures, no open wounds, just dehydration, severe weight loss, and a body that had been running on empty for too long. The vets sighed and said something I won’t forget. She might be in shutdown.

    Sometimes after enough neglect, they just stop. The food can be right there, but their mind has already walked away. I’d been doing this for years, moving from kennel to kennel like a man on autopilot. But looking at her, it felt like someone had held up a mirror to my own burned out insides. She wasn’t fighting. She wasn’t begging.

    She had simply checked out. That evening, after the bustle died down and most of the lights were dim, I went back to her cage just to sit. I didn’t have a plan. I just sank to the floor, leaned against the bars, and without thinking, started humming an old melody from my childhood. For the longest time, she didn’t move.

    Then one soft ear flicked just once toward the sound. She never looked at the bowl, but she moved for the song. I didn’t plan to sing to a starving German Shepherd puppy. It just happened. The shelter was winding down when I ended up back on the concrete floor in front of her kennel.

    The other dogs barked, but this three-month-old white German Shepherd puppy just lay in the corner still. I brought a fresh bowl, tried softer food, then warm broth, then little pieces in my hand, holding them right under her nose. She turned her head a fraction each time, my like she knew what I was offering, and had already decided the answer was no.

    Her ribs rose and fell, nothing more. In that heavy quiet, my mind went to my childhood living room. An old upright piano. My mom’s hands on the keys. Our family dog asleep underneath. Chest rising to whatever tune she played. Without really thinking, I started humming that same little melody through the bars.

    Just a low, steady line of notes, the way I used to hear it from the hallway. At first, her eyes were dull, fixed on nothing. Then they shifted just a little toward my voice. The emptiness in them loosened. She let out a faint sigh and one ear lifted instead of pinning back. When I stopped, her gaze floated away again like someone dimming a light.

    When I started humming once more, it found me, slow but sure, as if the song was the only thing cutting through the fog in her head. I went home that night with one thought I couldn’t shake. Maybe she didn’t need food yet. Maybe she needed someone who wouldn’t turn the song off. Um, how do you name a puppy who hasn’t decided if she wants to live? I came in early the next morning before the phone started ringing and the halls filled with noise.

    The shelter was still half asleep, lights low, air cold. I went straight to her kennel and sat down on the floor like I’d done it a thousand times before. The bowl was already there. Warm broth and soft food pushed close to the gate. I pretended not to see it. No clinking metal, no coxing, just me, the bars, and this three-month-old white German Shepherd puppy curled tight in the corner.

    I started with the song. Same old melody from when I was a kid, the one my mom used to hum while she played piano in our little living room. The notes came out rough at first, but they settled into something steady. As I sang, she turned her head a little closer, like the sound had a hook in it. Her nose lifted, pulled once, twice toward the smell of the bowl, then stopped.

    She didn’t touch it, but her eyes weren’t completely empty anymore. It felt like there was this thin, invisible string between us, humming with every note. “My name is Silas, and at 43, I’d thought most of my strings were worn out. Apparently, I was wrong.” “I keep thinking of the ocean when I sing this,” I told her quietly, even though we were buried in the hills of West Virginia.

    “Far away, but alive. If you’re ever ready, I’m going to call you Marin. When I said it out loud, Marin, her tail moved just enough to notice. Or maybe she blinked a little too fast. It wasn’t much, but it was real. Later that day, the vet caught me in the hallway and reminded me the shelter was full.

    If there was no progress with food in the next few days, we’d have to talk about moving her on or making a kind decision. I went back to her kennel and watched her breathe. watched that thin chest rise and fall. I’d only just started her song. There was no way I was going to let them cut it off halfway. Uh, what do you do when a shelter cage isn’t enough to keep a puppy alive? A couple days after we named her, I asked if I could take Maron home on foster.

    No big speeches, just a simple, “She’s not going to turn around in here. Let me try.” They handed me the clipboard. We signed the temporary papers. And suddenly, this 3-month-old white German Shepherd puppy was riding out of the shelter in my truck like she belonged to someone. My house isn’t much. Small place outside Beckley, old floors that creek in the wrong weather.

    In the corner of the living room sits my mother’s piano, buried under a film of dust, and a few years of not wanting to feel too much. Most days, it’s just furniture I walk around. I made her a spot on a folded blanket near that piano, set down a bowl of soft food and fresh water, and sat beside her on the floor.

    She lay there on her side, eyes somewhere past the wall, uh, like the room was empty, even with me in it. So, I did the only thing I’d seen her respond to. I started humming our song. Same slow melody, just my voice and the quiet creek of the house settling around us. The sound filled the room in a different way here.

    No barking, no metal doors, just breathing and notes. After a while, I noticed her chest wasn’t hitching so hard. Her breaths evened out deeper, steadier, like the music was smoothing the edges of whatever hurt was chewing her up inside. I looked at her, then at that old piano sitting in the corner, silent and heavy. If this song could reach her like this, I wondered what might happen if she could hear it the way I first did, coming to life under real keys.

    I hadn’t touched that piano in years, but Marin made the silence feel unbearable. That night, the house was so quiet I could hear her breathing from the living room floor. Just a soft, uneven rise and fall from the little nest I’d made for her in the corner. Blanket, water, a bowl of soft food she still wouldn’t touch.

    The piano sat there under a film of dust, same spot it had held my whole life. I wiped off the bench with my hand and sat down like I was doing something I shouldn’t. My fingers hovered over the keys, stiff and unsure, like they didn’t remember who they used to be. I chose the only thing that made sense, the same simple, warm, slightly sad melody I’d been humming in the shelter.

    The first note rang out sharper than I expected, then settled into the room. On the second note, I heard her claws shift against the floor. By the third, Marin lifted her head. She didn’t try to stand. She just stared straight at me, eyes locked on my back like the sound was pulling her in. The vibrations ran through the wood, down the legs of the piano, across the floorboards to where she lay.

    I could feel them under my feet and under my feet. I imagined them under her ribs, too, filling in all the hollow places. I didn’t look at the food bowl. I let the music do the talking, filling every corner of the room with something gentler than words. Out of the corner of my eye, I saw her drag herself an inch closer, then another, slow as rain.

    The song kept moving, and so did she. At one point, there was a pause in the notes, and she gathered herself, pushing shakily onto her paws. She swayed, then took one small, determined step toward the bowl. I didn’t dare even turn my head. I just kept playing, pretending I didn’t notice the miracle happening two steps away from me.

    Do you remember the first time someone chose you over their fear? Marin stood there swaying on those shaky legs while I kept my hands on the keys and my eyes on the worn ivory. The little white German Shepherd puppy in my living room took one more step until her nose hovered over the bowl. She didn’t dive in.

    She just breathed in the warm smell like she was trying to decide if this moment was safe. I heard her sniff once, then again deeper this time. Um, for a second I thought she was going to back away and fold herself into that empty place again. Instead, I heard it. The smallest scrape of teeth against soft food. One slow, careful bite, then another.

    I almost lost the melody right there, but I kept playing, more afraid of breaking whatever fragile thing was finally holding her here. After a few mouthfuls, she stopped and looked toward the piano with eyes that weren’t just hollow anymore. There was a tiny spark there. Not just survival, but the beginning of curiosity.

    Like she wanted to know what else might follow the song. The next morning, I tried to feed her without the music, just a bowl on the floor between us. She glanced at it once, then turned away. That’s when it hit me. If she needed accompaniment to stay in this world, then I was going to play as long as my fingers worked.

    I just didn’t know how I could stay at that piano all day. Um, while the silence waited to take her back, the second I walked away. What happens when you can’t be there every time a rescued puppy needs you to breathe. That was the part no one tells you about. Life doesn’t stop just because a 3-month-old white German Shepherd puppy has decided she’ll only eat to the sound of your hands on the keys.

    I still had a job, Bills, a beatup car that needed coaxing every cold morning. So, I built us a routine. short session at the piano before sunrise, just long enough for Marin to drag herself to the bowl and take a few slow bites. Then at night, a longer concert in the living room, her stretched out nearby, eating in tiny pauses between the notes.

    On the days I got stuck late at the shelter or in traffic outside Beckley, I’d come home to the same picture, full bowl, untouched. She’d look at me, then at the piano, like the food didn’t exist without the sound wrapped around it. Her weight crept up, but so slowly it scared me. The vet frowned at her chart, talked about organs under strain, about how long a body could run on almost nothing.

    Feeding tube came up. Force, restraint, tubes, and tape. Everything in me tightened at the thought of breaking that fragile thread of trust we just started to weave. One night, worn down and a little angry at the world, I played longer than usual. Same simple melody over and over until my fingers achd.

    Marin finished what she could and then just lay there watching me. And then she did something new. She lifted her head, opened her mouth, and let out a long shaky sound. Not a bark, not a whine, but something between a sigh and a note, hanging there in the air with my cords. I froze, hands hovering above the keys, heart in my throat.

    If she’d found her voice, even just that little bit, what else was still hiding inside her, waiting for us to wake it up? I thought we were past the worst. I was wrong. One morning, I woke up and something felt off before I even left the bedroom. The house was too quiet, even for us. When I found Marin, my little white German Shepherd puppy, was lying flatter than usual on her blanket, breathing just a bit too hard, eyes barely open, I called her name. Nothing.

    When she tried to stand, her legs folded and a small tremor ran through her whole body like a wire buzzing on low power. I didn’t think. I just scooped her up, felt how light she still was, and rushed her back to the clinic. Under the harsh lights again, they hooked her up to monitors and IVs. The vets’s face said enough before the words came.

    The stress, the long starvation, the slow progress. Her body was cashing the checks it couldn’t afford. If she doesn’t start taking in food on her own, they said quietly, “The outlook isn’t good.” There was no piano in that back room, just metal cages and the beeping of machines. So, I sat on the cold floor beside her crate and did the only thing I had left.

    I started to sing our song. At first, she didn’t move at all, nose buried in a thin blanket, wires taped to her shaved leg. So, I pulled out my phone, found a rough recording I’d made of myself playing at home, and let those familiar cords spill out into the sterile air while I kept my voice low and steady over them.

    I dipped my finger into a bit of soft food, a kind of nutrient paste, and gently touched it to her lips as the music played. For a long moment, nothing. Then her tongue slid out just a little, and she licked my finger once. I tried again, this time with a tiny smear on a spoon, and she gave it one slow, deliberate lick.

    The vet glanced at the monitor, then at her, then at me. If she keeps taking even this much through the night, they said, we might still have a real chance to dodge the worst. Some victories are so quiet you only hear them if you’re listening with your heart. I walked into the clinic that morning feeling like I’d been scraped out and left in the parking lot.

    No sleep, just coffee and worry. A tech met with a small, tired smile, and said, “She ate through the night. Tiny amounts but steady. We kept your music on loop.” There she was, my little white German Shepherd puppy, still hooked to lines, but her eyes were a little clearer. Her breathing less of a struggle. Numbers on the monitor looked better.

    Not perfect, but better. A few days later, after fluids and careful feeding, they cleared her to come back home with me under strict instructions and a list of things to watch. Carrying her out of there felt different this time. She wasn’t just weight in my arms. She was possibility. Back in the living room, I set her down near her usual spot, bowl ready.

    Then I took my place at the piano and let that same old melody roll out across the keys. She didn’t crawl this time. Marin pushed herself up, shook once, and walked. Actually walked to the bowl as soon as the first few notes filled the room. Head down, no hesitation, she started to eat like a dog who finally remembered what food was for.

    For the first time in weeks, I let my hands fall still and just watched. healthy, steady bites, little pauses to breathe, then right back to it. No, no begging, no pleading, no fear, squeezing my ribs. The days that followed were like a slow montage in real time. Her sides filling out, her steps getting bouncier, stealing my sleeve, tugging at my pant leg, arguing every time I tried to end a session at the keys.

    One evening, I stopped mid song, fingers hovering, and she marched over, put both front paws on my knee, and let out a soft, bossy whine. like she was saying, “Hey, we’re not done.” I laughed with tears sitting hot behind my eyes. You lost the battle with hunger, Marin, I told her quietly. “But it looks like you won the war for your song.

    ” I just didn’t know yet if I had the courage to keep her song in my house forever. Some adoptions don’t happen on paper. They happen the moment you realize you can’t imagine your house without those paws. I went back to the shelter with a folder full of notes about her feeds, meds, little weight gains that felt like lottery wins.

    The staff called her the music puppy and smiled every time they asked how my white German Shepherd puppy was doing at home. They were already talking about finding her a family, someone quiet, patient, maybe with a piano. They joked. I nodded along, but every time I pictured explaining to strangers that she ate best when someone played a certain song, my chest tightened.

    I imagined her lying on a strange floor in a strange house, waiting for a melody that never came. That night, I sat back down at my piano like always. Marin curled at my feet, then rolled onto her back, paws in the air, letting out those soft little howls that didn’t match the notes, but somehow fit the song anyway.

    Her tail thumped against the hardwood in this steady rhythm, and for a second, the whole house felt like it was breathing with us. A few days later, at the shelter desk, they slid a single form in front of me. Name, address, contact. At the bottom, one word waited over an empty line. Adopter. I stared at it longer than I should have, pen heavy in my hand, and realized the decision hadn’t been waiting here on the counter.

    It had already happened in my living room just in every quiet night with her head against my foot and my hands on the keys. I signed my name and it felt like I was adopting more than a dog. I was taking back a part of myself I’d left in the dark a long time ago. Driving home, I took the same forgotten road outside Beckley, where I’d first seen that tiny body beside the full bowl.

    Only this time, Marin sat in the passenger seat, brighteyed, watching the world fly by. That was the day I knew we’d never again pass by by a dog lying next to a full dish with empty eyes and just keep driving. What if the thing that saves a life isn’t in a bowl, but in your hands and your voice? I think about that every time I look at Marin now.

    I still see that first picture in my mind. A tiny white German Shepherd puppy, skin and bone beside a full bowl of food on a forgotten road outside Beckley, West Virginia. The food was there. The body was there. The will to live was gone. And then I look at her now, sprawled by the old piano, healthy and bright, eyes sparkling, belly full, head tipped back while she sings along with my clumsy playing.

    Same dog, same world, different ending. I’ve learned that sometimes animals don’t just need calories. They need someone who will sit in the silence and not be scared off by it. Someone who will wait and hum and be there when they finally decide to reach back. This little pup’s journey from abandonment to rehabilitation shows how important nonprofit rescue groups really are.

    Without a small shelter, a worn out van, and a handful of people who refuse to give up on a starving puppy, this story would have stopped on that roadside. Caring for a rescued puppy is more than love. It’s responsibility. It’s pet care. It’s the meds, the late nights on the floor, the slow progress charts on the fridge, the music you play even when your hands are tired.

    Right now, Marin is safe. She’s warm, fed, and curled up on a soft rug in a house that finally feels like home for both of us. But there are so many other dogs out there still lying next to full bowls with empty eyes, waiting for someone to notice them. If you can support your local shelters and the volunteers who keep showing up.

    If your life allows it, consider adopting, fostering, or just sharing stories like hers. Every view Chevy share might be the reason someone takes a dog to a rescue instead of leaving them behind. Most nights end the same way now. I sit at the old piano. Marin settles beside me, lifts her head, and lets out that thin wobbly howl that doesn’t fit any key, but somehow fits our song perfectly.

    It’s our small prayer for all the dogs still waiting to be heard. Join our Brave Paws family. Be their voice. Be their hope.

  • BRITAIN ERUPTS: Public Anger Hits BREAKING POINT as Westminster Stays Silent  DCT

    BRITAIN ERUPTS: Public Anger Hits BREAKING POINT as Westminster Stays Silent  DCT

    BRITAIN ERUPTS: Public Anger Hits BREAKING POINT as Westminster Stays Silent

    Britons have been filming themselves travelling to beaches in France and ‘destroying’ small boats – gaining thousands of views in the process

    Sanya Burgess is an award-winning journalist whose investigations have included revealing Deliveroo was not paying the living wage to all riders, despite the company’s pledge to do so. She has also tracked disinformation and far right hate speech in the UK during the Southport riots, conspiracy theories about the attempted shooting of Donald Trump and revealed that Elon Musk was paying some of Tommy Robinson’s legal fees. She has also worked on issues relating to Big Tech and underage gambling, as well as uncovering war crimes and human rights abuses in Iran, Myanmar and the UAE – including the ‘hostage’ tapes of the detained Dubai Princess Latifa.
    British vigilantes who spearheaded efforts to fly England flags across the country have launched a new anti-migrant protest – attempting to block illegal Channel crossings.

    Using the term “Operation Stop The Boats”, members of the group have been filming themselves 𝘴𝘭𝘢𝘴𝘩𝘪𝘯𝘨 small boats before they are used by migrants to cross the English Channel from France.

    Posts on social media show members calling for other British men to join them in France, including making a direct appeal to football hooligans, saying “we need to make a stand”.

    In one video message shared this week by a member of the Raise the Colours group – the grassroots movement that has seen flags fixed to lampposts, motorway bridges and roundabouts across England – two men are seen evoking military language and the spirit of the British fight against the Nazis in the Second World War.

    Claiming to be recording from the northern French coast, one said: “Just like in the 1940s, we must take a stand, and it starts with the men of England and Britain.”

    Making an appeal to “firms” – a phrase that refers to football hooligan groups – the other man added: “Our country is doing nothing. Weak government, weaker borders.

    “They are doing nothing, so we need to make a stand, boys. Get the lads together, get your firms together, get the lads in the pub, get the lads down the bars, if you’re talking about it and you agree with what we are doing, give us a hand.”

    The Government is under pressure to act after more than 36,000 people have crossed the English Channel in small boats (Photo: raisethecolours.org.uk/Instagram)
    The Government is under pressure to tackle the issue of migration amid a record number of asylum applications, surging small   boat crossings and protests at hotels housing asylum seekers.

    On Monday, Home Secretary Shabana Mahmood set out a package of reforms to asylum policies aimed at tackling illegal migration, telling MPs the current situation is “out of control and unfair”.

    The latest videos shared by those linked to the Raise the Colours group have separately been referred to as “Operation Overlord”.

    Earlier clips showed two men saying they were taking matters of illegal migration into their own hands and filming themselves stamping on and smashing a small boat’s engine.

    In the clips, they refer to themselves as “patriots” and make a number of claims without evidence, such as that they are stopping “rapists and murderers” from “coming to a town near you”.

    One video shared by the group
    The flag-raising group, who have a combined 100,000 followers on X and Instagram, also posted a plea on X for donations last week, writing that they are: “STOPPING The  Boats, whether the migrants or government like it or not!”

    Two videos from the group have recently been shared to the 1.7 million X followers of Tommy Robinson. The far-right figure and former leader of the English Defence League, whose real name is Stephen Yaxley-Lennon, has previously been accused of mobilising football hooligan firms in an attempt to launch anti-Muslim rallies across the country.

    Separately, French media reports that the Dunkirk Public Prosecutor’s office has opened a preliminary investigation into “aggravated violence” against migrants by suspected British far-right figures.

    One of the details being examined by the French prosecutor is the claim that in September, four men waving British and UK flags verbally and physically attacked migrants on the French coast. It is alleged that they told the migrants they were not welcome in England and proceeded to steal some of their belongings.

    The men are not the first anti-migrant figures to travel to France in a bid to take matters into their own hands.

    In September, Ukip, Nigel Farage’s former political party, posted a video to their X account showing what appeared to be sleeping migrants in France being woken by people flashing strobe lights in their faces and shouting at them.

    Nick Tenconi, Ukip’s current leader, also posted a video captioned: “In Calais hunting for illegal invaders trying to cross into Britain.”

  • HEARTBREAKING: Harry Redknapp ‘Left Broken’ as Fresh Family Tragedy Strikes Just Days After Wife Sandra’s Hospital Emergency – Friends Say He’s ‘Barely Holding On’ OO

    HEARTBREAKING: Harry Redknapp ‘Left Broken’ as Fresh Family Tragedy Strikes Just Days After Wife Sandra’s Hospital Emergency – Friends Say He’s ‘Barely Holding On’ OO

    HEARTBREAKING: Harry Redknapp ‘Left Broken’ as Fresh Family Tragedy Strikes Just Days After Wife Sandra’s Hospital Emergency – Friends Say He’s ‘Barely Holding On’

    Harry Redknapp’s £5m mansion raided by masked robbers just days after wife Sandra’s hospitalisation

    ‘It was clearly organised,’ a source claimed

    Masked raiders armed with hammers forced their way into the mansion of Harry Redknapp and looted wife Sandra’s jewellery, it has been reported.

    Former I’m A Celebrity… star Harry’s front door was smashed during the break in at his home in Dorset’s exclusive Sandbanks area.

    News of the “clearly organised” robbery comes just days after Sandra Redknapp, 78, was reported to have been hospitalised.


    Harry Redknapp and Sandra Redknapp, both 78, have been married for 57 years (Credit: YouTube)

    Harry Redknapp house ‘raided’

    A source is reported to have told The Sun that the gang may have used a property website ad to check out the layout of the Redknapps’ £5 million Dorset home.

    The tabloid understands ex Premier League manager Harry and Sandra were both out when the robbers struck. But jewellery and other luxury items are said to have been snatched during the raid last Friday night.

    The raiders must have known the house was empty.

    The unnamed insider said: “It was clearly organised. The raiders must have known the house was empty.”

    ‘Raid was clearly organised’

    According to The Sun, the Redknapps’ property is for sale. It is speculated the gang may have been tipped off about details about the beach resort home through an online listing.

    A source claimed: “The criminals would only have to keep watch on the property and break in once the coast was clear, knowing the full layout of the house in advance.”

    Gang members were caught on CCTV pillaging the detached gated property, using lump hammers and a sledgehammer to smash the front door open.

    The source added: “It was clearly organised and they must have known the house was empty at the time.”

    The Sun also claims Harry had attended a function that evening, and Sandra was said to be in London. The tabloid previously reported a week ago that Sandra had been taken into hospital – but it was not reported for what reason.


    Neither Harry nor Sandra Redknapp were believed to have been home when the gang struck (Credit: YouTube)

    Harry ‘doesn’t want to make a fuss’

    Officers have confirmed the search is still on for the thieves.

    Dorset Police said: “We received a report of a burglary at an address in Poole. Officers attended and carried out enquiries at the property. An investigation is underway into the incident. No arrests have been made at this time.”

    Meanwhile, a spokesman for Harry reportedly told The Sun he “doesn’t want to make a fuss”.

    They are quoted as saying: “There was no one in the house at the time and we don’t want to comment on what was taken. It’s a matter for the police.”

  • BRITAIN ERUPTS: Public Anger Hits BREAKING POINT as Westminster Stays Silent  PP

    BRITAIN ERUPTS: Public Anger Hits BREAKING POINT as Westminster Stays Silent  PP

    BRITAIN ERUPTS: Public Anger Hits BREAKING POINT as Westminster Stays Silent

    Britons have been filming themselves travelling to beaches in France and ‘destroying’ small boats – gaining thousands of views in the process

    Sanya Burgess is an award-winning journalist whose investigations have included revealing Deliveroo was not paying the living wage to all riders, despite the company’s pledge to do so. She has also tracked disinformation and far right hate speech in the UK during the Southport riots, conspiracy theories about the attempted shooting of Donald Trump and revealed that Elon Musk was paying some of Tommy Robinson’s legal fees. She has also worked on issues relating to Big Tech and underage gambling, as well as uncovering war crimes and human rights abuses in Iran, Myanmar and the UAE – including the ‘hostage’ tapes of the detained Dubai Princess Latifa.
    British vigilantes who spearheaded efforts to fly England flags across the country have launched a new anti-migrant protest – attempting to block illegal Channel crossings.

    Using the term “Operation Stop The Boats”, members of the group have been filming themselves 𝘴𝘭𝘢𝘴𝘩𝘪𝘯𝘨 small boats before they are used by migrants to cross the English Channel from France.

    Posts on social media show members calling for other British men to join them in France, including making a direct appeal to football hooligans, saying “we need to make a stand”.

    In one video message shared this week by a member of the Raise the Colours group – the grassroots movement that has seen flags fixed to lampposts, motorway bridges and roundabouts across England – two men are seen evoking military language and the spirit of the British fight against the Nazis in the Second World War.

    Claiming to be recording from the northern French coast, one said: “Just like in the 1940s, we must take a stand, and it starts with the men of England and Britain.”

    Making an appeal to “firms” – a phrase that refers to football hooligan groups – the other man added: “Our country is doing nothing. Weak government, weaker borders.

    “They are doing nothing, so we need to make a stand, boys. Get the lads together, get your firms together, get the lads in the pub, get the lads down the bars, if you’re talking about it and you agree with what we are doing, give us a hand.”

    The Government is under pressure to act after more than 36,000 people have crossed the English Channel in small boats (Photo: raisethecolours.org.uk/Instagram)
    The Government is under pressure to tackle the issue of migration amid a record number of asylum applications, surging small   boat crossings and protests at hotels housing asylum seekers.

    On Monday, Home Secretary Shabana Mahmood set out a package of reforms to asylum policies aimed at tackling illegal migration, telling MPs the current situation is “out of control and unfair”.

    The latest videos shared by those linked to the Raise the Colours group have separately been referred to as “Operation Overlord”.

    Earlier clips showed two men saying they were taking matters of illegal migration into their own hands and filming themselves stamping on and smashing a small boat’s engine.

    In the clips, they refer to themselves as “patriots” and make a number of claims without evidence, such as that they are stopping “rapists and murderers” from “coming to a town near you”.

    One video shared by the group
    The flag-raising group, who have a combined 100,000 followers on X and Instagram, also posted a plea on X for donations last week, writing that they are: “STOPPING The  Boats, whether the migrants or government like it or not!”

    Two videos from the group have recently been shared to the 1.7 million X followers of Tommy Robinson. The far-right figure and former leader of the English Defence League, whose real name is Stephen Yaxley-Lennon, has previously been accused of mobilising football hooligan firms in an attempt to launch anti-Muslim rallies across the country.

    Separately, French media reports that the Dunkirk Public Prosecutor’s office has opened a preliminary investigation into “aggravated violence” against migrants by suspected British far-right figures.

    One of the details being examined by the French prosecutor is the claim that in September, four men waving British and UK flags verbally and physically attacked migrants on the French coast. It is alleged that they told the migrants they were not welcome in England and proceeded to steal some of their belongings.

    The men are not the first anti-migrant figures to travel to France in a bid to take matters into their own hands.

    In September, Ukip, Nigel Farage’s former political party, posted a video to their X account showing what appeared to be sleeping migrants in France being woken by people flashing strobe lights in their faces and shouting at them.

    Nick Tenconi, Ukip’s current leader, also posted a video captioned: “In Calais hunting for illegal invaders trying to cross into Britain.”