VIDEO: Cam Newton Has A Warning For Travis Kelce About Dating Taylor Swift: “Don’t F**K This Up Travis!”

Cam Newton has sounded a warning to Travis Kelce regarding his relationship with world-famous pop sensation Taylor Swift.

It appears Cam is late to the party on this one, but he had some advice for the Kansas City Chiefs star tight end nonetheless. Speaking on a recent episode on his ‘4th and 1 With Cam Newton’ podcast, the former NFL quarterback claimed the fact that Travis is being referred to as Taylor Swift’s boyfriend means he’s won.

“The guys who get identified as certain people’s boyfriend, you won,” he said. “You’re sitting back chilling. You ain’t got to do half of the [expletive] you used to have to do in other relationships.”

He then warned the three-time Super Bowl winner not to mess things up as there will be no coming back.

“Don’t F- this up. Don’t do it. Because I’m telling you, if you [expletive] this up, I don’t think you’ll be able to come back from this one,” he said.

Travis Kelce Isn’t Likely To Fumble Taylor Swift

Given the way he groveled publicly after initially getting spurned by Taylor, Travis would do well to make sure he doesn’t do anything to jeopardize his relationship with the singer.  They’re enjoying each other’s company for now and were recently in the Bahamas, where they were spotted and photographed by paparazzi.

“They vacationed in the Bahamas for several days,” a source said to People. “It was a much-needed break for both of them. They very much enjoyed it. They are so happy together.”

The two celebrities still have some time to spend together as their schedules won’t return to normal until May. Travis is taking advantage of the NFL offseason after winning another Super Bowl with the Chiefs in February.

Taylor, on the other hand, is on a break from her Eras Tour, which resumes in Europe in around a month.

Chelsea Handler shows off photos in bed with 50 Cent (video)

They have repeatedly claimed that they are not a couple but do actions speak louder than words?

Comedienne Chelsea Handler just posted a picture to her Twitter account showing her in bed with Curtis Jackson aka 50 cent.

Although the pair appear fully clothed, Chelsea is planting a big kiss on the rapper’s cheek as he lies on top of her with a big grin on his face.

Keep them guessing: Chelsea Handler posted this picture to her Twitter with the caption ‘I don’t know why anybody thinks I would date a rapper’

She wrote a caption to the picture saying:’I don’t know why anyone thinks i would date a rapper!’

The couple, both 35, were first spotted together at the beginning of October enjoying a cosy date night at the Blue Nile Jazz Club in New Orleans.

They were then seen several more times together in the following weeks including a romantic seaside lunch in Malibu and attending a friend’s birthday party together.

At the time Chelsea took to her Twitter to dispel the reports saying: ‘Everyone, calm down. I met with Mr. Cent about a potential project. There’s nothing to report yet, I’ll let you know if there is.’

Maybe this newest tweet is the report she was referring to.

The pair met in November 2009 when he appeared in her E! Television chat show, Chelsea Lately.

According to the New York Daily News, the rapper and actor left Handler a voice mail message asking her out, after his appearance on the show.

Hidden couple: The pair met in 2009 and were spotted getting cosy together at the beginning of October in New Orleans

 

 

 

What Hailey Bieber said when Selena Gomez won the Best Female Star award (Video)

Selena Gomez wins Best Female TV Star at People’s Choice Awards 2024, leaving Hailey Bieber fuming. Gomez clinched the award for her role in “Only Murders in the Building”. Hollywood elite gathered at Barker Hangar in Santa Monica to honor the year’s best.

Gomez’s performance in “Only Murders in the Building” praised widely, beating tough competition with seven nominations. She surpassed Oli Wong, Hannah Whittingham, Jennifer Aniston, Marisa Harate, Kena Brunson, and Reese Witherspoon. The show also won Comedy Show of the Year.

The event celebrated talent across 45 categories, from “Grey’s Anatomy” to the beloved Barbie movie. Pedro Pascal, Beyoncé, Taylor Swift, and others shone, with Adam Sandler and Lenny Kravitz receiving iconic awards.

Rumor swirls that Hailey Bieber is upset over Selena Gomez’s win. The drama behind the scenes heats up as fans speculate on Bieber’s reaction. The YouTube community eagerly awaits updates on the unfolding celebrity saga.

The evening at People’s Choice Awards saw Selena Gomez’s triumph as a highlight. Gomez’s victory adds to her impressive career trajectory, solidifying her status as a top talent in Hollywood. Fans eagerly await Gomez’s future projects, anticipating more stellar performances.

Hailey Bieber’s potential resentment towards Selena Gomez’s win adds an extra layer of intrigue to the awards’ aftermath. The dynamics between the two celebrities continue to captivate fans and media alike.

Selena Gomez’s win is celebrated as a testament to her talent and hard work in the entertainment industry. The recognition further cements her place as one of the most accomplished actresses of her generation.

The People’s Choice Awards showcased a diverse range of talent and entertainment, reflecting the vibrant landscape of popular culture. From television to music, the event honored artists across various genres.

The success of “Only Murders in the Building” underscores the appeal of the mystery-comedy genre in today’s entertainment landscape. The show’s blend of humor and suspense has resonated with audiences and critics alike.

As speculation swirls around Hailey Bieber’s reaction, fans eagerly await any developments in the rumored feud between Bieber and Gomez. The drama adds a compelling narrative to the aftermath of the awards ceremony.

Selena Gomez’s win at the People’s Choice Awards marks another milestone in her illustrious career. The actress and singer continue to garner acclaim for her versatile performances across different mediums.

The buzz surrounding Selena Gomez’s win at the People’s Choice Awards reflects the ongoing fascination with celebrity culture. Fans eagerly devour updates on their favorite stars’ triumphs and controversies.

Hailey Bieber’s reported reaction to Selena Gomez’s win sparks discussions about celebrity rivalries and the complexities of fame. The drama adds an extra layer of excitement to the post-awards conversation.

The People’s Choice Awards serve as a platform to celebrate the achievements of artists and entertainers from various backgrounds. The event highlights the diversity and talent within the entertainment industry.

Selena Gomez’s win at the People’s Choice Awards is a testament to her enduring popularity and talent. The actress’s ability to connect with audiences continues to earn her accolades and recognition.

The rivalry between Selena Gomez and Hailey Bieber adds a dramatic twist to the post-awards analysis. Fans eagerly await further developments in the unfolding saga between the two celebrities.

The People’s Choice Awards provide a stage for artists to showcase their creativity and talent. From television to music, the event celebrates the best in entertainment and pop culture.

Selena Gomez’s win at the People’s Choice Awards cements her status as a powerhouse in the entertainment industry. The actress’s versatility and charisma continue to captivate audiences worldwide.

Hailey Bieber’s rumored reaction to Selena Gomez’s win sparks debates among fans and media outlets. The ongoing feud between the two celebrities adds an intriguing subplot to the post-awards narrative.

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North West shares ‘gnarly’ video of mom Kim Kardashian, and fans can’t get over the star’s ‘wonky eyes’

NORTH West has shared a video of her mom Kim Kardashian without any makeup, putting her wonky eye shape on blast.

Fans have trolled The Kardashians star’s facial features for years, with many accusing her of having a “droopy” left eye.

 

Kim Kardashian and her daughter North West shared a new TikTok videoCredit: North West/ TikTok

Fans noticed something strange about the reality star’s left eye in the clipCredit: TikTok/kimandnorth

Several slammed her face as ‘wonky’ from too much plastic surgeryCredit: TikTok/kimandnorth

Kim, 43, and North, 10, posted a new video to their shared TikTok profile on Thursday.

In the clip, the reality star stood straight as a statue in the bathroom of her Calabasas mansion.

The TV personality sported an all-black tracksuit consisting of a raincoat and matching pants, paired with black socks and Yeezy slides.

Kim’s black hair hung wet and wavy on her shoulders as she presumably just finished showering.

The mother of four went makeup-free as she participated in a TikTok trend with her oldest child.

The Skims founder began by lipsyncing the words to Hold My Hand by Jess Glynne with a solemn look on her face.

Every time the song broke into the chorus, North appeared on the screen with a wild dance and a happy expression on her face.

The pre-teen wore an oversized black graphic tee with pink sweatpants featuring a large white flower print.

She accessorized with a straw sunhat and her hair was styled in french braids.

Kim was able to hold a serious look throughout the entire clip despite the antics and wild facial expressions of her oldest daughter.

The mother-daughter duo captioned their post, “Haha.”

FAN BACKLASH

But fans were less than amused, as many of them noticed something “gnarly” going on with Kim’s left eye.

Several took to Reddit where they noted how “wonky” her face appeared throughout the entire clip.

“From North’s tiktok.. i never realized how bad it actually was until now… yikes,” one wrote, sharing a screenshot from the video.

“I feel like the cheek filler has given her gnarly nasiolabial folds. She continues to age herself with all the cosmetic procedures,” a second explained.

“This would drive me nuts. Visually, it would be hard to get over if you didn’t have the asymmetry naturally.. but also.. it looks like she can FEEL it. Ugh,” a third remarked.

“She looks like a tweaker,” a fourth ripped, while a fifth noted, “She looks haggard. I can’t believe she looks like this now.”

“It’s like she got an upper bleph and they removed too much eyelid on her left eye (right to us). Her eyelid that is more closed is the one she looks better with,” another commented.

‘TOO MUCH BOTOX!’

Kim’s “wonky” eye has been the topic of discussion among fans for months.

Back in November, the socialite posed for photos while on the red carpet of a high-end event.

She sported a pink sparkly gown with full glam makeup and her hair styled in waves.

However, critics noticed that her left eye was drooping more than ever before.

“In all seriousness, what the hell is going on with Kim’s eye? I’m asking those in the medical field,” one inquired in another Reddit thread.

“Too many procedures. She’s starting to look like a pug with wayward eyes,” a second claimed.

“Too much Botox on one side,” a third theorized.

“Honestly she’s probably done some nerve damage,” a fourth remarked.

“She actually always had asymmetric eyes but I think that all the Botox now exaggerated it to the point where it is so much more visible,” another agreed.

A concerned fan wrote, “My money is on a botched eye lift of some kind. I don’t think it was Botox.”

“Looks to me like her eye muscles have collapsed,” a seventh claimed.

“It looks like one side of her face is just not symmetrical & getting PS & filler just made it worse. Plus she is getting older,” another shared.

Many asserted that Kim’s appearance has become “scary” recently due to her “wonky” eye.

Kim attended a high-end event in NovemberCredit: Getty

Fans were stunned to see how ‘droopy’ her left eye appearedCredit: Getty

‘G.U.Y.’ Turns Ten: When Gaga Rose From the Ashes

Five years ago, after a preternaturally long reign over the charts, Lady Gaga had arrived at a nadir.

Her ARTPOP campaign across 2013 and ’14 had been plagued with problems, and her inner circle was fracturing. Gaga left bleak statements on her fan forum Little Monsters, such as: “Those who have betrayed me gravely mismanaged my time and health.” By anyone else’s standards, the album was still a chart success, but relative to her own career peaks, it was a deep, deep valley. Inevitably, the world “flop” pervaded headlines, as ARTPOP (nicknamed ARTFLOP) sales were reportedly 75% down on Born This Way.

Pop music is a notoriously fickle mistress, one whose acolytes thirst for blood and bangers in equal measure. As Gaga herself shrewdly foreshadowed in her unforgettably gory 2009 VMA performance, and more explicitly on 60 Minutes in 2011, people were awaiting her downfall: “That’s what everyone wants to know, right? What’s she gonna look like when she dies…”

Over three albums, Gaga shifted the pop paradigm to pivot on her example. Hers was an almost messianic arrival, defining pop forevermore as either pre- or post-Gaga. Her mastery of shocking visuals in “Bad Romance,” “Telephone,” and “Alejandro” was unparalleled — but in pop’s consumption cycle, which trades in the dizzying rise and tabloid-fodder fall of artists, Gaga had soared too high for too long. Critics leapt on bald revelations about her professional turmoil to call long-awaited time on her reign. When the “G.U.Y” video (ultimately a lengthy feature incorporating multiple ARTPOP tracks at once) finally debuted this day five years ago, it was dismissed by some as a dumping ground for the residual visual material of a disastrous album cycle.

For fans, the lead-up to “G.U.Y.’s” release was saddening not so much because of falling chart figures, but because Gaga seemed so discontented. Throughout her albums, her lyrics had seemed often preoccupied with the idea of selling out or losing herself. “Poker Face” was about figuratively fucking money while dreaming of artistic freedom, “Love Game” hinted at the same Sophie’s Choice (“Do you want love, or do you want fame?”), “Monster” was about a masculine figure who “ate her heart.” She used a symbology of masculinity and femininity to represent the battle between commercialism and creativity. Gaga never alluded openly to this double meaning, but her later public revelations — about how she felt forced to compromise her vision to pander to money-hungry pop managers — confirmed these subtle references. In Netflix documentary Five Foot Two, she again lamented that dissonance: “What I’ve done is that when they wanted me to be 𝑠e𝑥y or they wanted me to be pop, I always fucking put some absurd spin on it that made me feel like I’m still in control”

In the bumpy lead up to “G.U.Y.,” it seemed Gaga — after maintaining a seven-year balancing act of pushing the artistic envelope while remaining a viable commercial product — was finally losing the battle. The public, the media, her own close confidants, even some fans, had all turned on her. The video, fittingly, opened with her angelic figure broken-winged in the dirt, trampled by a horde of monkey-suited-men squabbling over money.

While some critics briefly scanned the video and dismissed what they had already pre-determined was a flop, fans lit up in delight after the first few seconds of screentime. The sense of excitement was palpable to us: Gaga was back.

“The easiest way I can describe this video for the fandom is: salvation”, says Dovydas Laurinaitis, 22, a longtime fan from London. “It was her reclaiming control of her creativity. Its quality, concept and execution were what we had associated with Gaga, and it seemed like she was reshaping the era to what she wanted it to be. The fandom went crazy.”

The video was a brilliant, postmodern, narrative epic. Gaga, arrow through heart, drags her near lifeless body from where it was abandoned by industry figures in the desert to Hearst Castle, where her beloved Haus of Gaga, her kindred creative spirits, await. They ritualistically carry and submerge her body in healing waters, before she’s reborn as Venus, the Goddess of Love. She then greets Himeros, God of Sexual Desire. With gorgeous symbolism, Gaga represents the feminine (her art) finally meeting the masculine (commercialism) as equals — both deities. “Lay back,” she told him (and us) commandingly, “and feast as this audio guides you through new and exciting positions.” While in previous songs, Gaga seemed to search desperately for some way to make art and pop commune without destroying her, here she has already found the answer.

As the video rolls on, a regenerated Gaga mounts a counter-assault on the forces of capitalism, lays siege to the headquarters to the music industry and replaces its figureheads with the true creatives of her own Haus. Her art is reclaimed.

The lyrics are ostensibly about fucking, and Gaga trades in a conventionally 𝑠e𝑥y aesthetic in the video. As one critic wrote in a piece called Drowning, Not Waving: The Slow and Bitter End of Lady Gaga’s Career: “… no one has ever wanted or even asked Gaga to be properly 𝑠e𝑥y.” What they ignored was that these visuals perfectly complemented the personal victory the film represented for Gaga — it was about her enjoying feeling 𝑠e𝑥y, without having to put “some absurd spin on it” to feel in charge. It was an allegory about marrying the 𝑠e𝑥 with the love, i.e. the pop with the art, and it represented a glorious culmination of a four album-long personal journey for her: “I’m gonna wear the tie with the power to leave you, I’m aiming for full control.”

The video was so multi-level in its meanings that every tier of fan was satisfied. The hardcore, hawk-eyed fans were teary-eyed at her personal triumph, the surface-level skimmers enjoyed what was a well-crafted and wry pop banger, while the gay fans were gleeful at what they dubbed a power-bottoming anthem: note the winking double entendre of “I don’t need to be on top to know I’m worth it.” Gaga’s mastery of language and metaphor was at its most potent.

As the video rolls on, a regenerated Gaga mounts a counter-assault on the forces of capitalism, lays siege to the headquarters to the music industry and replaces its figureheads with the true creatives of her own Haus. Her art is reclaimed.

The lyrics are ostensibly about fucking, and Gaga trades in a conventionally 𝑠e𝑥y aesthetic in the video. As one critic wrote in a piece called Drowning, Not Waving: The Slow and Bitter End of Lady Gaga’s Career: “… no one has ever wanted or even asked Gaga to be properly 𝑠e𝑥y.” What they ignored was that these visuals perfectly complemented the personal victory the film represented for Gaga — it was about her enjoying feeling 𝑠e𝑥y, without having to put “some absurd spin on it” to feel in charge. It was an allegory about marrying the 𝑠e𝑥 with the love, i.e. the pop with the art, and it represented a glorious culmination of a four album-long personal journey for her: “I’m gonna wear the tie with the power to leave you, I’m aiming for full control.”

The video was so multi-level in its meanings that every tier of fan was satisfied. The hardcore, hawk-eyed fans were teary-eyed at her personal triumph, the surface-level skimmers enjoyed what was a well-crafted and wry pop banger, while the gay fans were gleeful at what they dubbed a power-bottoming anthem: note the winking double entendre of “I don’t need to be on top to know I’m worth it.” Gaga’s mastery of language and metaphor was at its most potent.

The single “flopped,” and the general public concluded Gaga was over. Fans meanwhile, knew that the single was Gaga’s manifesto for the future — a proud end to one seven year-long journey, and the beginning of a new, brave direction. Gaga stayed true to “G.U.Y.’s” statement of intent — “I don’t need to be on top to know I’m worth it” — and she went on to make her jazz album, then her country album, and finally pursued her dream of acting. Gaga has now come full circle after more than 10 years in the spotlight — post-A Star Is Born, she is once again universally revered, and lauded for her polymathic achievement. Her confidence to pursue passion projects stemmed from that newfound sense of control over both her personhood and the products she sold — her story is incomplete without acknowledging that “G.U.Y.” was the fire from which her phoenix flew.

The video stands as a testimony to the secrets only fans can know — to the sometimes gaping chasm between public perception and the personal journey of an artist. While it may sit in the hall of records as Gaga’s biggest failure, to fans it remains a monument to the brilliance, resilience and vision of this pop behemoth.

Ice Spice taps out from Hot Ones episode after reminiscing about ‘bouncing around’ with Nicki Minaj: ‘Never been that excited’

Ice Spice‘s hot moment with Nicki Minaj was not nearly as intense as her experience on Hot Ones.

The Grammy Award nominee, 24, had to tap out during her recent episode of the First We Feast series, in which she discussed her upcoming debut studio album Y2K and collaborating with Nicki Minaj on their song ‘Princess Diana’.

‘I feel like I’m handling it better than you,’ she teased host Sean Evans before admitting: ‘I spoke too soon.’

She began spiraling after trying Da’ Bomb Beyond Insanity (135,600 Scoville level), which Evans called ‘one of the hottest hot sauces on the planet.’

‘That’s so f***ed up, I’m not gonna lie to you,’ she said. ‘I’m panicking, y’all. Am I red? It’s like a mental thing?’

 

Ice Spice had to tap out during her recent episode of Hot Ones after trying Da’ Bomb Beyond Insanity (135,600 Scoville level)

Evans called it ‘one of the hottest hot sauces on the planet’

‘It looks like I’m crying but I’m not,’ noted Ice Spice (real name Isis Naija Gaston).

‘This one got me shaking,’ she said shortly before moving onto the next sauce.

After sniffing MataSanos (680,000 Scoville), she tapped out. ‘I’m not gonna do that to myself,’ said Gaston.

Earlier in the episode, she dished with Evans about filming the video for her 2023 single ‘Princess Diana’ with Minaj.

‘”Princess Diana” remix with Nicki was my favorite video to shoot ’cause I was just so excited. Oh my god,’ she recalled. ‘I’ve never been that excited on set.’

Gaston continued, ‘And the bedroom scene, that was so fun. Being on the bed, bouncing around with Nicki, who does that? So that was fun.

The Bronx-born artist dropped the video in April 2023 after releasing the single on her EP Like..? that January.

She and Minaj also collaborated on ‘Barbie World‘ from last year’s star-studded Barbie soundtrack.

Gaston revealed earlier this month that she’s finished recording her debut album Y2K, which she said on Hot Ones is ‘dropping soon.’

Earlier in the episode, Ice Spice dished with Evans about filming the video for her 2023 single ‘Princess Diana’ with Minaj. ‘I’ve never been that excited on set,’ she said

Gaston revealed earlier this month that she’s finished recording her debut album Y2K, which she said on Hot Ones is ‘dropping soon’

Ice Spice also told Evans the album has passed the ‘car test’: ‘I’ve been playing the album fully through in the car, volume all the way up’

‘Every time I work on a song, I’m like, “This is going to be released,”‘ she said earlier in the episode. ‘That hasn’t always been the case, but for this album process, that was the case.’

She also told Evans the album has passed the ‘car test.’

‘I’ve been playing the album fully through in the car, volume all the way up,’ explained Gaston. ‘And it passed. Thankfully, it passed.’

Gaston, who earned her first four Grammy nominations this year, also opened up about why her success has been so meaningful.

‘Coming from where I come from, I’m from the Bronx, Fordham Road specifically,’ she explained. ‘I feel like New York City as a whole is super hustle, hustle, hustle.

‘And just wanting to make it out and provide for my family and live a more comfortable lifestyle, that was really the motive there,’ added Gaston.

Emily Ratajkowski dared to b.a.r.e in a completely see-through dress as she arrived at Jay Z and Beyonce’s post-Oscar afterparty on Sunday evening.

Emily Ratajkowski dared to b.a.r.e in a completely see-through dress as she arrived at Jay Z and Beyonce‘s post-Oscar afterparty on Sunday evening.

The model, 32, changed out of her Oscars Vanity Fair party outfit into a very daring ensemble for the star-studded bash.

She flashed her breasts and black thong in the sheer bodycon slip dress and elevated her frame with strappy black heels.

Emily oozed confidence in her risqué outfit as she put her jaw-dropping physique on display following the Academy Awards.

The American beauty was seen hopping out of her private transfer to head into the celebrity-filled event.

 

Emily Ratajkowski, 32, dared to b.a.r.e in a completely see-through dress as she arrived at Jay Z and Beyonce’s post-Oscar afterparty on Sunday evening

The model changed out of her exceptional Oscars Vanity Fair party outfit into an even more daring ensemble for the star-studded bash

Hours earlier, Emily suffered a wardrobe malfunction at the 2024 Vanity Fair bash and had to hold her modesty from peering out of her gown.

The supermodel- who recently celebrated her son Sly’s third birthday –  joined other celebrities on the red carpet during the bash, including Jessica Alba and Quinta Brunson.

While talking to Vogue last year in 2023, the My Body author opened about her evolving sense of style.

‘I think that fashion really used to intimidate me. I felt like there were rules that I didn’t understand,’ she expressed to the outlet.

‘The rules are meant to be broken, once you understand the rules then you can have fun. I think I also, in general, take it less seriously than I ever did before. I’m less afraid of risk.’

Oppenheimer won a whopping seven Oscars at Sunday night’s Academy Awards – while rival Barbie only won one.

Meanwhile Emma Stone led Poor Things to an impressive four including her Best Actress win and UK film The Zone Of Interest won two at the gala event held at The Dolby Theatre in Hollywood, California.

The historical epic directed by Christopher Nolan swept the major categories with wins for Best Actor Cillian Murphy, Best Supporting Actor Robert Downey Jr. and Nolan – with the film also winning Best Picture.

Hours earlier, Emily suffered a wardrobe malfunction at the 2024 Vanity Fair bash and had to hold her modesty from peering out of her gown

Emily held her gown in place with one hand while posing for photos on the red carpet at the Wallis Armstrong Center for the Performing Arts

Kim Kardashian ‘blames ex Kanye West’ for split with football player ex as she fears ‘he’s ruined her love life’

KIM Kardashian blames her ex-husband Kanye West for her split from Odell Beckham Jnr – and fears she’ll struggle to find love again.

The Kardashians star, 43, and NFL athlete, 31, called it quits recently after a whirlwind six-month romance.

7Kim Kardashian fears she won’t find love again after KanyeCredit: Hulu7The star has just split from Odell Beckham JrCredit: BackGrid7Pals say one thing was putting off Odell, picturedCredit: Getty7Kim and Kanye have had a difficult separationCredit: AFP 

Now, sources say Kim is worried that her life – in particular having Kanye still such a big part of it – will put people off dating her after her latest romance fell apart.

An insider said:  “She’s upset, of course, because she feels like Kanye has turned his life – and hers – into a circus.

“It’s crazy right now – every day Bianca is out in a new outrageous outfit, and everyone’s talking about them.

“I just think that Odell wasn’t willing to deal with the drama and potentially becoming the target of one of Kanye’s rants.

“They were really into each other but at some point, it just didn’t seem worth it. Kim blames Kanye’s antics for this – she’s wondering if she’ll ever find someone who can deal with her ex.”

Kim and Odell began dating in September and were seen looking very close at the Oscars Vanity Fair afterparty on March 11.

They were spotted together for the first time at the Super Bowl in Las Vegas in February.

But according to reports they have now called it quits.

Kim was previously married to Kanye from 2014 until 2021.

KIM Kardashian was spotted hugging and laughing with Kanye West on Friday night-

Since then Kanye, who has remarried, has hit headlines on numerous occasions.

He previously made things difficult for Kim when she first moved on – and dated Saturday Night Live star Pete Davidson for nine months.

During their romance, furious Kanye  threatened to “beat his a**” and accused the actor of trying to “destroy” his family.

The musician – who has four kids with Kim – even “kidnapped and beheaded” Pete in the animated music video of his song Eazy; a project which he has defended.

Pete ended up having trauma therapy, with a source saying: “The attention and negativity coming from Kanye and his antics is a trigger for [Pete], and he’s had to seek out help.”

They added that Pete has “no regrets for dating Kim and wants

Kim’s rep has been contacted for comment.

7Kim fears her ex Kanye’s antics are having an impact on her relationshipsCredit: Getty7Kim briefly dated Pete Davidson, but Kanye made it very difficult for herCredit: Getty7Kanye hits headlines every day with wife Bianca CensoriCr

Justin Bieber, Diddy’s Old Video Now Sparks Concern After Usher’s Allegations, Trafficking Investigation: ‘Creepy’

(Photo : David Livingston/Getty Images) Sir Lucian Grainge Honored With A Star On The Hollywood Walk Of Fame
HOLLYWOOD, CALIFORNIA – JANUARY 23: Justin Bieber (L) and Tori Kelly (R) attend an event honoring Sir Lucian Grainge with a star on the Hollywood Walk of Fame on January 23, 2020 in Hollywood, California.

 

As Sean “Diddy” Combs is being investigated over sex trafficking allegations, past interviews or videos of him are also resurfacing and being discussed, with one in particular sparking concern.

A video filmed of Combs accompanied by Justin Bieber back when the latter was 15 years old has some wondering what exactly the details were behind the clip, and whether — in light of the current controversy going on — it was as innocent as it originally seemed.

Justin Bieber, Diddy Old Video Resurfaces

In the clip, Combs stands next to the teen pop sensation and tells the camera “He’s having 48 hours with Diddy, where we hanging out and what we’re doing we can’t really disclose.”

He then adds, “But it’s definitely a 15-year-old’s dream.”

ALSO READ: Diddy Unaware of Homeland Security Agents’ Raid Amid Legal Headaches: Source

The controversial hip-hop mogul also said, “I have been given custody of him. He’s signed to Usher and I had legal guardianship of Usher when he did his first album.”

“I don’t have legal guardianship of [Bieber] but for the next 48 hours he’s with me, and we’re gonna go full crazy.”

Meanwhile, Bieber, clad in a black baseball cap and purple shirt.,smiles and agrees: “Yeah…full crazy.”

Fans Think the Video is “Creepy”

While the video apparently did not raise any flags back when it was made, fans are now questioning what exactly was going on.

One wrote, “that’s just every level of creepy.”

Another said: “The internet truly never forgets.”

The comments were also fueled by Usher, who claimed he was exposed to some “pretty wild” stuff while living with Combs when he himself was only 14.

Speaking to Howard Stern, he noted of the experience: “I got a chance to see some things … I don’t know if I could indulge and even understand what I was looking at.”

Diddy, Justin Bieber Seen in Another Unearthed Video, Where Music Mogul ‘Grills’ Former Teen Pop Singer

(Photo : Dimitrios Kambouris/Getty Images for The Met Museum/Vogue / Kevin Winter/Getty Images)

 

In the midst of recent controversy involving Sean “Diddy” Combs and the string of raids linked to a federal sex trafficking investigation, a newly surfaced video reveals the rapper conducting a “disturbing” interview with a young Justin Bieber.

The video was immediately shared across various social media platforms, documents a spontaneous interaction between Diddy and Bieber as they engage in conversation within a recording studio.

The “I Need A Girl” singer inquired about the decreased frequency of their interactions, prompting Bieber to explain his silence.

‘Poor’ Justin Bieber

Diddy asked the “Peaches” singer, “What’s up man, you good? Selling out arenas and everything?”

The rapper then claimed, “Starting to act different, huh? You haven’t been calling me and hanging out the way we used to hang out.”

Newly emerging information suggests that Bieber said he was 16 when the video was recorded, and he seemed uneasy while engaging with his music counterpart, as reported by Page Six.

Bieber said at the time, “I mean you tried to get in contact with me throughout all my … and what not … but you never got my number.. I’m going to tell you my number.”

 

 

In the wake of a brief encounter, a sense of discomfort lingered among social media users who hurried to share their thoughts on Bieber’s actions in the comments section.

One person responded to the X, formerly Twitter, post, “This is a creepy video.”

Another person said, “Justin seems so uncomfortable, this is so disturbing.”

A third commented, “Poor kid didn’t know what to say.”

READ ALSO: Sean ‘Diddy’ Combs Dark Secrets Exposed By Backup Dancer: ‘Nothing That Is Happening Is Surprising’

‘Creepy’ Diddy with Justin Bieber

A first video also made its rounds early this week where it captured a moment when Diddy was seen alongside Bieber, sharing with viewers, “He’s having 48 hours with Diddy, where we hanging out and what we’re doing we can’t really disclose – but it’s definitely a 15-year-old’s dream.”

The music mogul said, “I have been given custody of him. He’s signed to Usher and I had legal guardianship of Usher when he did his first album.”

“I don’t have legal guardianship of him [Bieber] but for the next 48 hours he’s with me and we’re gonna go full crazy.”

In the video, Justin Bieber is sporting a sleek black baseball cap and a vibrant purple shirt. His upbeat demeanor is evident as he exchanges smiles and glances with Diddy, interjecting with playful remarks like “yeah” and “full crazy.”

Upon sharing the video on social platforms, it quickly sparked a wave of disapproval and worry, as individuals labeled the content as unsettling and remarked on the internet’s everlasting memory.

At present, Sean “Diddy” Combs finds himself entangled in accusations of sex trafficking and facing a growing number of lawsuits alleging sexual assault.

In a recent statement to the Associated Press, attorney Aaron Dyer emphasized Diddy’s innocence and unwavering determination to vindicate himself daily.