Meghan Markle, and her attempts to land a role in Tyler Perry’s upcoming Netflix film, The 6888.

Tyler Perry, despite his past support of the Sussexes, has drawn a very clear line when it comes to serious filmmaking. His upcoming project, The 6888, is no small feat—it’s based on the powerful true story of an all-black, all-female battalion during World War II. This is serious historical filmmaking, with Kerry Washington attached to star.

Tyler Perry didn’t build his empire by making poor casting choices. The man knows talent when he sees it, and he definitely knows when someone doesn’t have it. So, let’s think about Meghan’s acting resume for a moment: a few small roles and seven seasons on Suits, where she basically played herself. Compare that to Kerry Washington’s impressive body of work, and it’s easy to see why Perry would want to protect the integrity of this important project.What really strikes me here is the stark contrast between Meghan’s perception of herself and reality. She apparently thinks she can step into a role meant for someone like Kerry Washington, an acclaimed actress with genuine talent. The audacity is almost breathtaking.

Now, here’s where things get even more interesting. Remember when Meghan showed up at Tyler Perry’s theater opening? Well, now we might be seeing the real motivation behind that appearance. It wasn’t just about getting some photos and headlines. Meghan may have been trying to leverage their past connection into a role in his new film. This is classic Meghan behavior—turning personal connections into professional opportunities, regardless of qualifications.

Imagine what it would have meant if Tyler Perry had cast Meghan in The 6888. First, the entire production would have been overshadowed by the circus of being associated with a controversial former royal. Constant security, paparazzi, and Harry hovering around would have turned this serious historical drama into yet another chapter of the Meghan and Harry show. And let’s not forget the rumored demands—private chefs, Michelle Obama flown in, a custom trailer bigger than everyone else’s… the whole thing would have been a spectacle.

But let’s not overlook the timing of this rejection—it couldn’t have come at a worse time for Meghan and Harry. Their Netflix projects are falling flat, and have you seen the reviews for Harry’s Polo documentary? Even polo experts are laughing at it. The reality is that Hollywood is waking up to what the UK figured out years ago—Meghan Markle may be great at generating headlines, but when it comes to actual talent, well, let’s just say there’s a reason she was doing cable TV guest spots before meeting Harry.

Think about it: what have Meghan and Harry actually produced since signing that massive Netflix deal? A documentary about themselves, mostly complaining about the royal family. A documentary about the Invictus Games that somehow managed to make it more about them than the veterans. And now, this Polo disaster. It’s all style over substance, and Hollywood is starting to notice.

What’s particularly telling about this Tyler Perry situation is that it shows even their supposed friends are starting to draw boundaries. Perry has been incredibly generous to them—letting them stay in his house, donating to their foundation—but when it comes to his actual art, his business, that’s where he draws the line. And that has to sting.

Remember when Oprah was Meghan’s biggest cheerleader? Have you noticed how quiet that friendship has become lately? Meghan wasn’t even at Gail King’s 70th birthday party, an event Oprah hosted. The Hollywood elite are slowly but surely distancing themselves, and this rejection by Tyler Perry is just the latest example.

Now, let’s talk about timing. This rejection comes right as Meghan’s trying to launch her American brand, “Sierra Orchard,” clearly attempting to reinvent herself once again—from actress to royal to lifestyle guru. But these constant rejections from Hollywood must be making that pivot look more like a retreat than a strategic move.

The irony here is almost delicious. Meghan walked away from royal duties, claiming she wanted the freedom to pursue her passions, including acting. But now, it turns out that when you burn bridges with the royal family, you can’t just waltz back into Hollywood and expect major roles, especially not in serious historical dramas alongside respected actresses like Kerry Washington.

This situation highlights a fundamental difference between earning something and expecting it to be handed to you. Kerry Washington has spent decades honing her craft, taking challenging roles, proving herself time and again. She’s earned her place in Hollywood. Meanwhile, Meghan seems to think that because she married a prince and generated a lot of headlines, she deserves to step into starring roles in important films.

And let’s not forget what this film is actually about—The 6888 tells the story of the 6888 Battalion, the only all-black, all-female battalion to serve in Europe during World War II. These were real women who faced incredible discrimination and challenges, serving their country despite everything stacked against them. The last thing this story needs is to become a vehicle for Meghan’s self-promotion.

The contrast between Meghan’s approach and the way working royals handle their duties couldn’t be more stark. Take Kate, for example. She’s focusing on her “Early Years” project, doing serious work and making real change, all while battling health issues. She’s not trying to leverage her position for personal gain or Hollywood roles. She’s quietly and effectively serving. Or look at Princess Anne—steadily doing her duty for decades, without drama or demands for special treatment.

What’s fascinating about all of this is that it reveals the flaw in Meghan and Harry’s post-royal strategy. They seem to think their royal connections would automatically translate into success in entertainment. But Hollywood, for all its faults, still requires actual talent and the ability to deliver. You can’t just show up with a title and expect to land leading roles, especially in films about important historical events.

This rejection also speaks volumes about their future in Hollywood. If Tyler Perry, someone who has been supportive of them, won’t cast Meghan in a significant role, what chance does she have with other producers? This isn’t just a rejection of one role—it’s a public signal to the entire industry about where Meghan stands in the Hollywood hierarchy.

And let’s face it: Meghan and Harry are learning the hard way that Hollywood is a much tougher nut to crack than they imagined. You can’t just trade on royal connections and expect to be handed serious acting roles or have your vanity projects succeed. This industry requires talent, skills, and the ability to deliver what audiences want to see.